Brutal Highlanders and Crooked Coastals

Q3 Social Sciences Cultural Studies Review Pub Date : 2020-11-15 DOI:10.38003/CCSR.1.1-2.8
Inoslav Bešker
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Abstract

This paper presents a philological and imagological analysis of the mutual contradictions of two types of characters in the corpus of Mediterranean literature. The highlander and the seasider, one brutal and the other imbedded in the hetero-conception of the other, belong to standard Mediterranean literary types, namely archetypes, from myths to the present. Literature on the Mediterranean and about the Mediterranean is abundant with typified descriptions of the highlander being a tough guy, violent, and the seasider as cunning, envious or a serial seducer. The imagology of these types and their mutual opposition is the topic of this philological analysis. The paper focuses on a comparative analysis of this imagotype/stereotype existing throughout the Mediterranean and transmitted from one literature to another throughout the centuries. The aim of the work is to review and summarize the literature concerning the archetypes of the highlander and the seasider in order to have a better understanding of the patterns of imagotypes and archetypes in the collective imaginary represented by Mediterranean literature.
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野蛮的高地人和狡猾的海岸人
本文对地中海文学语料库中两类人物的相互矛盾进行了语文学和意象学分析。高地人和海边人,一个野蛮,另一个嵌入对方的异质概念,属于标准的地中海文学类型,即原型,从神话到现在。关于地中海和地中海的文学作品中有大量典型的描述,高地人是一个硬汉,暴力,而沿海人是一个狡猾,嫉妒或连环诱惑者。这些类型的意象及其相互对立是本文的主题。本文的重点是对这种形象/刻板印象的比较分析,这种形象/刻板印象存在于整个地中海,并在几个世纪内从一种文学传播到另一种文学。本研究旨在对有关高地人和海人原型的文献进行回顾和总结,以期更好地理解以地中海文学为代表的集体想象中的形象原型和原型模式。
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期刊介绍: Cultural Studies Review is a peer-reviewed journal devoted to the publication and circulation of quality thinking in cultural studies—in particular work that draws out new kinds of politics, as they emerge in diverse sites. We are interested in writing that shapes new relationships between social groups, cultural practices and forms of knowledge and which provides some account of the questions motivating its production. We welcome work from any discipline that meets these aims. Aware that new thinking in cultural studies may produce a new poetics we have a dedicated new writing section to encourage the publication of works of critical innovation, political intervention and creative textuality.
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