The Thirty-Something "Tokyo Daughters" of Kawakami Hiromi's Strange Weather in Tokyo, Shibasaki Tomoka's Spring Garden, and Murata Sayaka's Convenience Store Woman = 川上弘美の「センセイの鞄」、柴崎友香の「春の庭」、と村田沙耶香の「コンビニ人間」における 三十代の「東京の娘達」
{"title":"The Thirty-Something \"Tokyo Daughters\" of Kawakami Hiromi's Strange Weather in Tokyo, Shibasaki Tomoka's Spring Garden, and Murata Sayaka's Convenience Store Woman = 川上弘美の「センセイの鞄」、柴崎友香の「春の庭」、と村田沙耶香の「コンビニ人間」における 三十代の「東京の娘達」","authors":"B. Thornbury","doi":"10.1353/jwj.2020.0000","DOIUrl":null,"url":null,"abstract":"Abstract:A number of critically acclaimed Japanese literary works call attention to the evolving position of the single, independent woman within the twenty-first-century family unit and, by extension, society as a whole. Kawakami Hiromi's Strange Weather in Tokyo (Sensei no kaban 2001), Shibasaki Tomoka's Spring Garden (Haru no niwa, 2014), and Murata Sayaka's Convenience Store Woman (Konbini ningen, 2016) stand out in this regard. Key issues raised in the novels revolve around relations between an unmarried, adult daughter in her mid-to-late thirties and her parent(s)—issues that encompass assumptions regarding that daughter's role as her parents' future caregiver, especially in light of Japan's rapidly aging population. The novels also call attention to Tokyo as a place of possibility, where even women with relatively modest incomes can make their own life choices. The characters—Kawakami's Ōmachi Tsukiko, Shibasaki's Nishi, and Murata's Furukura Keiko—fluidly come together to offer new ways of understanding the continuing resistance by Japanese women to conventional expectations of marriage and childbearing that by the 1970s had already grown into an identifiable movement.","PeriodicalId":88338,"journal":{"name":"U.S.-Japan women's journal. English supplement = Nichi-Bei josei janaru. English supplement","volume":"40 1","pages":"57 - 77"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"U.S.-Japan women's journal. English supplement = Nichi-Bei josei janaru. English supplement","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/jwj.2020.0000","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 2
Abstract
Abstract:A number of critically acclaimed Japanese literary works call attention to the evolving position of the single, independent woman within the twenty-first-century family unit and, by extension, society as a whole. Kawakami Hiromi's Strange Weather in Tokyo (Sensei no kaban 2001), Shibasaki Tomoka's Spring Garden (Haru no niwa, 2014), and Murata Sayaka's Convenience Store Woman (Konbini ningen, 2016) stand out in this regard. Key issues raised in the novels revolve around relations between an unmarried, adult daughter in her mid-to-late thirties and her parent(s)—issues that encompass assumptions regarding that daughter's role as her parents' future caregiver, especially in light of Japan's rapidly aging population. The novels also call attention to Tokyo as a place of possibility, where even women with relatively modest incomes can make their own life choices. The characters—Kawakami's Ōmachi Tsukiko, Shibasaki's Nishi, and Murata's Furukura Keiko—fluidly come together to offer new ways of understanding the continuing resistance by Japanese women to conventional expectations of marriage and childbearing that by the 1970s had already grown into an identifiable movement.
The Thirty-Something "Tokyo Daughters" of Kawakami Hiromi's Strange Weather in Tokyo,Shibasaki Tomoka's Spring Garden,and Murata Sayaka's Convenience Store Woman =在川上弘美的《包老师》、柴崎友香的《春天的庭院》和村田沙耶香的《便利店人》中三十多岁的“东京姑娘们”
摘要:日本一些广受好评的文学作品引起了人们对单身、独立女性在21世纪家庭乃至整个社会中地位演变的关注。川上广美的《东京的奇怪天气》(Sensei no kaban 2001)、柴崎友冈的《春园》(Haru no niwa, 2014)和村田早香的《便利店女人》(Konbini ningen, 2016)在这方面表现突出。小说中提出的关键问题围绕着一个三十八九岁的未婚成年女儿和她父母之间的关系——这些问题包括了女儿未来作为父母照顾者的角色的假设,尤其是考虑到日本人口的迅速老龄化。这些小说还提醒人们注意,东京是一个充满可能性的地方,在这里,即使收入相对中等的女性也可以做出自己的人生选择。这些角色——川上的Ōmachi月子,柴崎的西,村田的古仓圭子——流畅地结合在一起,为理解日本女性对传统婚姻和生育期望的持续抵制提供了新的途径,到20世纪70年代,这种抵制已经发展成为一种可识别的运动。