{"title":"Kawabata Yasunari's The Scarlet Gang of Asakusa as the Territory of the Dispossessed Girl = 追い立てられた少女の領域としての『浅草紅団』","authors":"B. Hartley","doi":"10.1353/jwj.2022.0009","DOIUrl":null,"url":null,"abstract":"Abstract:This article presents the narrative space of Kawabata Yasunari's The Scarlet Gang of Asakusa (Asakusa kurenaidan) as the territory of the dispossessed girl—that is, the territory of young women and girl children who must largely live by selling either their labor or their bodies. Without diminishing the importance of the novel's innovatively modernist elements and depictions of Tokyo modernization, I redirect reader attention to the many girls and young women who pass through the pages of the narrative. I note how the narrator of The Scarlet Gang of Asakusa can be chillingly impervious to the struggles of the girls depicted. This detachment paradoxically creates a strikingly graphic account of how the Asakusa narratorial space operates as an imminent threat to the many girls who gather there.","PeriodicalId":88338,"journal":{"name":"U.S.-Japan women's journal. English supplement = Nichi-Bei josei janaru. English supplement","volume":"53 1","pages":"59 - 84"},"PeriodicalIF":0.0000,"publicationDate":"2022-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"U.S.-Japan women's journal. English supplement = Nichi-Bei josei janaru. English supplement","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/jwj.2022.0009","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
Abstract:This article presents the narrative space of Kawabata Yasunari's The Scarlet Gang of Asakusa (Asakusa kurenaidan) as the territory of the dispossessed girl—that is, the territory of young women and girl children who must largely live by selling either their labor or their bodies. Without diminishing the importance of the novel's innovatively modernist elements and depictions of Tokyo modernization, I redirect reader attention to the many girls and young women who pass through the pages of the narrative. I note how the narrator of The Scarlet Gang of Asakusa can be chillingly impervious to the struggles of the girls depicted. This detachment paradoxically creates a strikingly graphic account of how the Asakusa narratorial space operates as an imminent threat to the many girls who gather there.