From Ottoman to Indonesia: Aesthetic Acculturation in Musical Tradition

S. Sunarto, Robby Habiba Abror
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Abstract

This article provides an understanding of the aesthetic relationship between the Ottoman and Indonesia. Turkey was instrumental in Islamization and political support for Indonesia. Islam came to Indonesia in the 13th century which was brought by merchants of the Middle East and Ottoman Turks. They used several dawah mediums, such as economics, politics, social, and arts. Many sources write about the central role of traders from the Middle East in Islamization in Indonesia, yet few resources give explanations of the role of Turkish traders and preachers. Using the descriptive analysis method, this article argues that Turkey has given a strong influence on Sufism in Indonesia. The main instrument in this research is library observation. This study found that the Ottoman Turks influences aesthetic-Sufistic interactions in Indonesia. Ottoman Turkey with Sufism from Mevlana Jalāl ad-Dīn Rūmī has introduced music to Indonesia, which includes recitative poetry sung, Turkish musical instruments, and Sufistic Whirling Darvish dance of Tarekat Mevlevi Rūmī. The influence of Turkey spread to Javanese and Malay-speaking Sumatran people.
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从奥斯曼帝国到印度尼西亚:音乐传统中的审美文化适应
本文对奥斯曼帝国与印度尼西亚的审美关系进行了探讨。土耳其在伊斯兰化和对印尼的政治支持方面发挥了重要作用。伊斯兰教在13世纪由中东商人和奥斯曼土耳其人带到印度尼西亚。他们使用多种媒介,如经济、政治、社会和艺术。许多资料记载了中东商人在印度尼西亚伊斯兰化过程中的核心作用,但很少有资料解释土耳其商人和传教士的作用。本文采用描述性分析方法,认为土耳其对印尼苏菲派产生了强烈的影响。本研究的主要手段是图书馆观测。这项研究发现,奥斯曼土耳其人影响了印尼的美学-苏菲主义互动。来自梅乌拉那的苏菲主义的奥斯曼土耳其Jalāl ad- d đ n Rūmī将音乐引入印度尼西亚,其中包括朗诵诗歌,土耳其乐器和Tarekat Mevlevi的苏菲主义旋转达尔维斯舞Rūmī。土耳其的影响蔓延到爪哇人和说马来语的苏门答腊人。
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0.00%
发文量
14
审稿时长
12 weeks
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