Plastic: a passengerial marketplace icon

IF 1.9 4区 管理学 Q3 BUSINESS Consumption Markets & Culture Pub Date : 2022-02-03 DOI:10.1080/10253866.2022.2030319
J. Cronin, C. Hadley, Alexandros Skandalis
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引用次数: 6

Abstract

ABSTRACT We provide a critical reading of plastic in consumer culture highlighting its furtive omnipresence and supporting role in enabling the consumption of countless products, services, and brands, including many previously identified marketplace icons. We introduce the term “passengerial icon” to explore how the iconicity of plastic is often characterised by its unobtrusive and inconspicuous presence in consumers’ lives. Like a passenger, plastic most typically accompanies consumers on various experiential journeys rather than drives them. Drawing upon Leder’s concept of dys-appearance, we discuss the “absent presence” of passengerial icons as they tend to fade from consumers’ awareness, remaining present but unseen and unthought about until something about them appears to dysfunction. We discuss the dysfunctional appearance of plastic as catalysed most dramatically by environmental and health consequences. Though plastic’s dys-appearance affects society broadly, it is often hermeneutically and fetishistically handled by individuals through precautionary consumption adjustments rather than collective political action.
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塑料:客运市场的标志
我们对消费文化中的塑料进行了批判性解读,强调了塑料在无数产品、服务和品牌的消费中无处不在,并发挥了支持作用,其中包括许多先前确定的市场图标。我们引入了“乘客标志”这个术语,以探索塑料的标志性性是如何在消费者的生活中不引人注目和不显眼的存在。就像乘客一样,塑料通常陪伴着消费者进行各种体验之旅,而不是驱动他们。根据Leder的“外观失调”概念,我们讨论了乘客标志的“缺席存在”,因为它们往往会从消费者的意识中消失,仍然存在,但看不见,也不被考虑,直到它们出现功能障碍。我们讨论的功能失调的外观塑料催化最显著的环境和健康后果。尽管塑料的不良表现对社会产生了广泛的影响,但它通常是由个人通过预防性消费调整而不是集体政治行动来解释性地和拜物教地处理的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
4.80
自引率
16.70%
发文量
32
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