{"title":"The \"Emperor's Heart\" and the \"Mother's Heart\": What Gave Rise to the \"Mothers of Yasukuni\" = \"大御心\"と\"母心\"ー\"靖国の母\"を生み出したもの","authors":"Mikiyo Kanō, Setsu Shigematsu","doi":"10.1353/jwj.2022.0002","DOIUrl":null,"url":null,"abstract":"Abstract:Kanō Mikiyo's essay, \"The 'Emperor's Heart' and the 'Mother's Heart': What Gave Rise to the 'Mothers of Yasukuni',\" is representative of her salient contributions to feminist thought that illuminate the relationship between the Japanese emperor and the maternal. This translated essay remains relevant to understanding the entangled intimacies of motherhood and militarism and how a seemingly natural desire for mother's love was incorporated into a gendered imperial statecraft that Kanō critiqued as maternal (bosei) fascism.","PeriodicalId":88338,"journal":{"name":"U.S.-Japan women's journal. English supplement = Nichi-Bei josei janaru. English supplement","volume":"1 1","pages":"52 - 75"},"PeriodicalIF":0.0000,"publicationDate":"2022-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"U.S.-Japan women's journal. English supplement = Nichi-Bei josei janaru. English supplement","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/jwj.2022.0002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract
Abstract:Kanō Mikiyo's essay, "The 'Emperor's Heart' and the 'Mother's Heart': What Gave Rise to the 'Mothers of Yasukuni'," is representative of her salient contributions to feminist thought that illuminate the relationship between the Japanese emperor and the maternal. This translated essay remains relevant to understanding the entangled intimacies of motherhood and militarism and how a seemingly natural desire for mother's love was incorporated into a gendered imperial statecraft that Kanō critiqued as maternal (bosei) fascism.
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