Karagatsis Revisited: The performance Junkermann by Dimitris Tarloou

IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY International Journal of Humanities and Arts Computing-A Journal of Digital Humanities Pub Date : 2021-09-05 DOI:10.18533/JAH.V10I07.2132
Zafiris Nikitas
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Abstract

The article examines the performance Junkermann directed by Dimitris Tarloou, which was presented initially in 2018-19 at theatre “Poreia” in Athens. The performance is an adaptation of the novel Junkermann by M. Karagatsis and constructs a dream-like universe that explores the haunting journey and memories of the novel’s protagonist. The article investigates the performance as a case study of adaptation dramaturgy in contemporary Greek theatre. As I argue in the study, the performance proposes a reconfiguration of the novel into a stage spectacle with symbolistic undertones inspired by plays such as A Dream Play by August Strindberg. In order to explore fully the performance, I look into the stage text and the metatext and I analyze the decisive use of stichomythia that is employed in the adaptation. I also underline the antirealistic aesthetics of the director and the renewed stage interpretation of the story of Junkermann.
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重游卡拉加吉斯:迪米特里斯·塔卢的表演《容克曼》
本文考察了迪米特里斯·塔卢(Dimitris Tarloou)导演的《容克曼》(Junkermann)的表演,该表演最初于2018-19年在雅典的“波雷亚”剧院上演。该演出改编自卡拉加吉斯的小说《容克曼》(Junkermann),构建了一个梦幻般的宇宙,探索小说主人公的难忘旅程和记忆。本文以当代希腊戏剧中的改编戏剧为个案,对这一演出进行了研究。正如我在研究中所指出的那样,这一表演提议将小说重新配置为舞台奇观,并受到奥古斯特·斯特林堡(August Strindberg)的《梦剧》(a Dream Play)等戏剧的启发,带有象征主义色彩。为了充分挖掘演出,我对舞台文本和元文本进行了研究,并分析了在改编过程中对隐藻的决定性使用。我还强调了导演的反现实美学和对容克曼故事的更新的舞台诠释。
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