Using Mythic Structure of Campbell’s Monomyth to Analyze Spirited Away: A Heroine’s Journey

Meng-Hsuan Wu, Ya-huei Wang
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Abstract

This study intends to examine the stages of the hero’s journey based on the mythic structure of Campbell’s monomyth and use the monomyth to analyze how a ten-year-old girl, Chihiro, embarks on a journey to the supernatural world in Spirited Away. The study uses content analysis, a descriptive qualitative method, to analyze the monomyth: a departure–initiation–return journey covering seventeen stages. The monomyth involves metamorphoses and challenges that the heroine Chihiro encounters and explores her evolution during her transition to full autonomy in order to reach transformation and self-individuation. Chihiro, in order to rescue her parents, is destined to take the journey: to sink into darkness, the unconscious, and encounter her natural and primitive essence. By fighting against conflict or opposition, Chihiro, as a mythical heroine, completes her monomyth cycle and attains transformation and regeneration.
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用坎贝尔《单神话》的神话结构分析《千与千寻》的女主角之旅
本研究拟以坎贝尔的《千与千寻》的神话结构为基础,考察主人公旅程的各个阶段,并利用《千与千寻》的神话结构来分析10岁女孩千寻是如何踏上前往超自然世界的旅程的。本研究采用内容分析法,一种描述性的定性方法,来分析单神话:一个出发-起始-返回的旅程,涵盖17个阶段。这部单神话讲述了女主角千寻在向完全自主过渡的过程中遇到的蜕变和挑战,并探索了她的进化过程,以达到转变和自我个性化。千寻,为了拯救她的父母,注定要踏上旅程:沉入黑暗,无意识,并遇到她的自然和原始的本质。千寻作为一个神话中的女主人公,通过与冲突或反对的斗争,完成了她的神话循环,实现了转化和再生。
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