Turning up the Volume at the Oasis: Invisible Theatre exposed!

IF 0.5 4区 教育学 Q4 EDUCATION & EDUCATIONAL RESEARCH Ride-The Journal of Applied Theatre and Performance Pub Date : 1996-09-01 DOI:10.1080/1356978960010207
N. Whybrow
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引用次数: 3

Abstract

Abstract The article reports on a so‐called Invisible Theatre project undertaken by one of Britain's leading young people's theatre companies, Blah Blah Blah (Leeds). Entitled ‘Turning Up the Volume’, it took place at the Oasis Youth Centre, Salford, early in 1995. In effect, the article is in two parts. The first is comprised of an account of the circumstances surrounding the project, including the precise context of the work and the attempt to fuse the techniques of a performance artist with those of an educational theatre company. The second part represents an attempt to evaluate the significance of the work, taking the form of a dialogue between the artistic director of the theatre company and the youth leader at the Oasis Centre, and facilitated by the writer of the article. Overall, the article's intention is to expose immanent aspects of Invisible Theatre by a simple method of recounting how the project unfolded and by permitting the voices of key players themselves to be heard.
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打开绿洲的音量:隐形剧院曝光!
本文报道了英国领先的青年戏剧公司之一Blah Blah Blah(利兹)开展的一个所谓的“隐形剧院”项目。这场名为“打开音量”的活动于1995年初在索尔福德的绿洲青年中心举行。实际上,本文分为两部分。第一部分是对项目环境的描述,包括工作的确切背景,以及将表演艺术家的技术与教育剧院公司的技术融合在一起的尝试。第二部分试图评估作品的意义,采用戏剧公司艺术总监与绿洲中心青年领袖之间对话的形式,并由文章作者促成。总的来说,本文的目的是通过叙述项目如何展开的简单方法,以及允许关键参与者自己的声音被听到,来揭示隐形剧院的内在方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.30
自引率
16.70%
发文量
42
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