Toward Cultural Policy Studies on Mobility: Reflections on a Study of the Hong Kong Working Holiday Scheme

Q3 Social Sciences Cultural Studies Review Pub Date : 2017-05-16 DOI:10.5130/CSR.V23I1.5495
Louis Ho
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引用次数: 3

Abstract

Cultural policy is predominantly, and practically, considered the sum of a government’s activities with respect to the arts, humanities and heritage. Thus, cultural policy encompasses a much broader range of activities than was traditionally associated with an arts policy. Critical cultural policy studies, then, sees a distinction between ‘explicit’ cultural policies that are manifestly labelled as ‘cultural’, and ‘implicit’ cultural policies that are not labelled as such, but that work to shape cultural experiences. This article considers this explicit/implicit cultural policy distinction through John Urry’s idea of ‘social as mobility’, suggesting that some public policies regarding mobility (such as immigration, international trade and labour policy) have led to specific cultural consequences and therefore qualify as implicit cultural policy. Using Hong Kong’s working holiday scheme as a case study, this article explores how an economic policy on temporary immigrant labour involves a deliberate cultural agenda as well as ‘unintentional’ cultural consequences and problematises the fact that cultural policy studies are largely framed by the idea of ‘social as society’.
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流动的文化政策研究:对香港工作假期计划研究的反思
实际上,文化政策主要被认为是政府在艺术、人文和遗产方面活动的总和。因此,文化政策包含的活动范围比传统上与艺术政策相关的活动范围要广泛得多。因此,批判性文化政策研究看到了明显被标记为“文化”的“显性”文化政策与未被标记为“文化”的“隐性”文化政策之间的区别,但这些政策有助于塑造文化体验。本文通过约翰·厄里的“社会作为流动性”的概念来考虑这种显性/隐性文化政策的区别,表明一些关于流动性的公共政策(如移民、国际贸易和劳工政策)导致了特定的文化后果,因此有资格成为隐性文化政策。本文以香港的工作假期计划为例,探讨了一项针对临时移民劳工的经济政策是如何涉及有意的文化议程以及“无意的”文化后果的,并对文化政策研究在很大程度上被“社会即社会”的观念所框定的事实提出了质疑。
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期刊介绍: Cultural Studies Review is a peer-reviewed journal devoted to the publication and circulation of quality thinking in cultural studies—in particular work that draws out new kinds of politics, as they emerge in diverse sites. We are interested in writing that shapes new relationships between social groups, cultural practices and forms of knowledge and which provides some account of the questions motivating its production. We welcome work from any discipline that meets these aims. Aware that new thinking in cultural studies may produce a new poetics we have a dedicated new writing section to encourage the publication of works of critical innovation, political intervention and creative textuality.
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