Moving Birds in Hawai'i: Assisted Colonisation in a Colonised Land

Q3 Social Sciences Cultural Studies Review Pub Date : 2019-09-25 DOI:10.5130/csr.v25i1.6392
T. Dooren
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Abstract

In September 2011, a delicate cargo of 24 Nihoa Millerbirds was carefully loaded by conservationists onto a ship for a three-day voyage to Laysan Island in the remote Northwest Hawaiian Islands. The goal of this effort was to establish a second population of this endangered species, an “insurance population” in the face of the mounting pressures of climate change and potential new biotic arrivals. But the millerbird, or ulūlu in Hawaiian, is just one of the many avian species to become the subject of this kind of “assisted colonisation.” In Hawai'i, and around the world, recent years have seen a broad range of efforts to safeguard species by finding them homes in new places. Thinking through the ulūlu project, this article explores the challenges and possibilities of assisted colonisation in this colonised land. What does it mean to move birds in the context of the long, and ongoing, history of dispossession of the Kānaka Maoli, the Native Hawaiian people? How are distinct but entangled process of colonisation, of unworlding, at work in the lives of both people and birds? Ultimately, this article explores how these diverse colonisations might be understood and told responsibly in an era of escalating loss and extinction.
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夏威夷的迁徙鸟类:在被殖民的土地上的辅助殖民
2011年9月,环保人士小心翼翼地将24只尼霍米勒鸟装上一艘船,进行为期三天的航行,前往偏远的夏威夷西北群岛的莱桑岛。这项工作的目标是建立这种濒危物种的第二个种群,一个“保险种群”,面对日益增加的气候变化压力和潜在的新生物到来。但是磨坊鸟(夏威夷语ulūlu)只是成为这种“辅助殖民化”对象的众多鸟类中的一种。近年来,在夏威夷和世界各地,人们为保护物种做出了广泛的努力,为它们在新的地方寻找家园。通过ulūlu项目,本文探讨了在这片被殖民的土地上进行辅助殖民的挑战和可能性。在夏威夷土著居民Kānaka毛利人长期被剥夺土地的历史背景下,迁徙鸟类意味着什么?在人类和鸟类的生活中,不同而又纠缠在一起的殖民化和脱离世界的过程是如何起作用的?最后,这篇文章探讨了在一个不断升级的损失和灭绝的时代,如何负责任地理解和讲述这些不同的殖民。
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期刊介绍: Cultural Studies Review is a peer-reviewed journal devoted to the publication and circulation of quality thinking in cultural studies—in particular work that draws out new kinds of politics, as they emerge in diverse sites. We are interested in writing that shapes new relationships between social groups, cultural practices and forms of knowledge and which provides some account of the questions motivating its production. We welcome work from any discipline that meets these aims. Aware that new thinking in cultural studies may produce a new poetics we have a dedicated new writing section to encourage the publication of works of critical innovation, political intervention and creative textuality.
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