{"title":"Youenn Gwernig诗集中未翻译的部分","authors":"Matthieu Boyd","doi":"10.1353/cel.2022.0009","DOIUrl":null,"url":null,"abstract":"abstract:The poems of Youenn Gwernig (1925–2006), originally translated for the benefit of Jack Kerouac, are ultimately presented in a Breton-English collection that resists circulation outside the ‘tribe’ affiliated with Breton culture. It includes poems that are not translated, or that are translated only with images, and in various ways the English and the Breton do not quite match. What is not translated seems important to Gwernig’s themes and productive to explore by way of beginning to appreciate his trilingual œuvre and considering its potential to circulate more widely.","PeriodicalId":160851,"journal":{"name":"North American journal of Celtic studies","volume":"32 10","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The untranslated in the collected poems of Youenn Gwernig\",\"authors\":\"Matthieu Boyd\",\"doi\":\"10.1353/cel.2022.0009\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"abstract:The poems of Youenn Gwernig (1925–2006), originally translated for the benefit of Jack Kerouac, are ultimately presented in a Breton-English collection that resists circulation outside the ‘tribe’ affiliated with Breton culture. It includes poems that are not translated, or that are translated only with images, and in various ways the English and the Breton do not quite match. What is not translated seems important to Gwernig’s themes and productive to explore by way of beginning to appreciate his trilingual œuvre and considering its potential to circulate more widely.\",\"PeriodicalId\":160851,\"journal\":{\"name\":\"North American journal of Celtic studies\",\"volume\":\"32 10\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"North American journal of Celtic studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/cel.2022.0009\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"North American journal of Celtic studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/cel.2022.0009","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The untranslated in the collected poems of Youenn Gwernig
abstract:The poems of Youenn Gwernig (1925–2006), originally translated for the benefit of Jack Kerouac, are ultimately presented in a Breton-English collection that resists circulation outside the ‘tribe’ affiliated with Breton culture. It includes poems that are not translated, or that are translated only with images, and in various ways the English and the Breton do not quite match. What is not translated seems important to Gwernig’s themes and productive to explore by way of beginning to appreciate his trilingual œuvre and considering its potential to circulate more widely.
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