红色斗篷,狗神和恶魔领主:制作历史上可信的犬夜鹰角色扮演服装

Emerald L. King
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摘要

本文详细介绍了高桥鲁美子的《犬夜女》系列(漫画1996-2008)中的两款服装设计,并详细介绍了制作一套cosplay服装的方法。它将探讨角色设计如何融入身份和叙事铺垫。在这篇文章中,除了更多的学术来源外,还将参考粉丝奖学金。正如马特·希尔斯(Matt Hills)在他的“学者型粉丝”模型中指出的那样,粉丝们经常进行学术界尚未解决的研究和工作,而动漫粉丝通常就是这种情况。此外,我在cosplay方面的工作将粉丝构建的服装视为一种粉丝翻译行为,类似于“扫描”等其他活动,即扫描翻译漫画,漫画或图画小说。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Red capes, dog gods and demon lords: Making historically plausible Inuyasha cosplay costumes
This article presents a close reading of two costume designs from Takahashi Rumiko’s Inuyasha series (manga 1996–2008), and details the methods used to create a pair of cosplay costumes. It will explore how character designs are imbued with identity and narrative foreshadowing. Throughout this article, reference will be made to fan scholarship in addition to more academic sources. As Matt Hills points out with his model of the ‘scholar-fan’, fans are often conducting research and work that academics have yet to address, and this is often the case with anime fandom. Further, my work on cosplay treats fan-constructed costumes as an act of fan translation akin to other activities such as ‘scanlations’, that is scanned translations of manga, comics or graphic novels.
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