利用古典小说进行情感教育:间接体验各种爱的感受

Jeongahn Yoon
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摘要

本文探讨了如何在高校文理课中运用古典小说进行“爱”情感的教育。由于古旧的文字和汉字、“无趣”的刻板印象以及时代差异带来的其他文化习俗等进入壁垒,古典小说对现代读者来说很难享受。为了克服这一现状,本文提出了在大学文科课堂上对古典小说进行工具性处理的建议。对古典小说的工具性处理意味着他们可以自由地阅读古典小说,并通过“误读”来打开思想的空间。这也意味着古典小说是以乐趣来消费的。如果文科课程的目的是提高批判性思维而不是传授知识,那么以这种方式使用古典小说也是有意义的,学生可能会有机会对古典小说产生兴趣。为了有效地处理古典小说,必须通过翻译提高可访问性,并且必须激励学生阅读。因此,本文对学生如何在文科课上以“爱”为主题阅读古典小说提出了建议。在课堂上,古典小说被用作研究“爱”情感的工具。这是基于埃里希·弗洛姆所说的“爱的艺术”。换句话说,爱情是研究和学习的对象,并将通过古典小说作为20多岁的学生间接体验爱情的工具。课堂分为三个部分:“什么是爱?”“围绕爱的事件”,“爱与越轨”,以及导师的讲座,学生们形成了一个小组的报告和个人作业。根据老师的意图,这种作文可以用不同的方式进行。
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Emotional Education Using Classical Novel:Indirect experience of various feelings of love
This article presents a method for how to educate the emotion of ‘love’ using classical novels in liberal arts classes at universities. Classical novels were difficult for modern readers to enjoy due to barriers to entry such as archaic words and Chinese characters, stereotypes of “no fun”, and other cultural customs due to differences in the times. In order to overcome this situation, this article proposed to instrumentally deal with classical novels in liberal arts classes at universities. Instrumental handling of classical novels means that they are free to read classical novels and ‘misread’ them to open a place of thought. This also means that classical novels are consumed in terms of fun. If liberal arts classes are aimed at improving critical thinking rather than conveying knowledge, it is also meaningful to use classical novels in this way, and students may have an opportunity to be interested in classical novels. In order to handle classical novels instrumentally, accessibility must be improved through translation and students must be motivated to read. Therefore, this article suggested to students how to read classical novels through the theme of ‘love’ in liberal arts classes. In the class, classical novels were used as a tool to look into the emotion of ‘love’. This is based on what Erich Fromm calls ‘The Art of Loving’. In other words, love is an object to study and learn, and it will be used as a tool to indirectly experience love for students in their 20s through classical novels. The class was divided into three parts: “What is love?” “The event surrounding love,” “Love and deviance,” and with the instructor’s lecture, students formed a group of presentations and personal assignments. This composition can be carried out differently depending on the instructor’s intention.
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