{"title":"从文化战争到内战:美国艺术历史研究机构","authors":"Elizabeth C. Mansfield","doi":"10.4000/PERSPECTIVE.5958","DOIUrl":null,"url":null,"abstract":"The history of institutes for advanced research in the visual arts in the United States is a recent one, dependent as much on the happy accidents of Fortune as of fortune. Great fortunes made in banking and the oil business, especially, but also fortunes generated by a successful chain of discount stores and a sewing machine empire provided the funds needed to found all of the major art history research centers in the United States: the Getty Research Institute, the Center for Advanced Study ...","PeriodicalId":231148,"journal":{"name":"Perspective Magazine","volume":"73 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2015-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"From the culture wars to a civil war: institutes of art-historical research in the United States\",\"authors\":\"Elizabeth C. Mansfield\",\"doi\":\"10.4000/PERSPECTIVE.5958\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The history of institutes for advanced research in the visual arts in the United States is a recent one, dependent as much on the happy accidents of Fortune as of fortune. Great fortunes made in banking and the oil business, especially, but also fortunes generated by a successful chain of discount stores and a sewing machine empire provided the funds needed to found all of the major art history research centers in the United States: the Getty Research Institute, the Center for Advanced Study ...\",\"PeriodicalId\":231148,\"journal\":{\"name\":\"Perspective Magazine\",\"volume\":\"73 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2015-12-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Perspective Magazine\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4000/PERSPECTIVE.5958\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Perspective Magazine","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4000/PERSPECTIVE.5958","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
From the culture wars to a civil war: institutes of art-historical research in the United States
The history of institutes for advanced research in the visual arts in the United States is a recent one, dependent as much on the happy accidents of Fortune as of fortune. Great fortunes made in banking and the oil business, especially, but also fortunes generated by a successful chain of discount stores and a sewing machine empire provided the funds needed to found all of the major art history research centers in the United States: the Getty Research Institute, the Center for Advanced Study ...