讲述一群鸟的故事,展示巴兰-巴兰的幻灯片:新曲目训练在南方的Solok

Dede Pramayoza, Emri Emri, Susas Rita Loravianti
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摘要

本文描述了ISI Padangpanjang社区服务队在南索洛县实施的Randai创作工作坊。工作坊以解决问题和艺术研究的方式进行,旨在通过艺术创作的实践来寻找问题的答案。Randai的创作过程始于对South Solok地区民间传说的共同研究,使用焦点小组讨论(Focus Group Discussion, FGD)方法,结果以Bancah Birunguik故事的形式出现,然后将其作为剧本进行处理。创造Randai的过程继续着Legaran的创作,采用了实践指导的方法,这与Silek Luncua的曲目不同,Silek Luncua是一种在南索洛克发展起来的丝绸流派。工作坊的最后一个过程,也是采用实际辅助的方法,是动作与声音的融合。这一过程被编纂为兰代音乐性的一个方面,使用来自Saluang Panjang传统的Balam-Balam,一种南索罗克传统歌曲,作为主要指导。工作坊的结果是几个场景的蓝代作为一个胚胎,可以发展成典型的蓝代剧目南索洛克。
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Menceritakan Bancah Birunguik, Memperagakan Silek Luncua Mendendangkan Balam-balam : Pelatihan Repertoar Baru Randai di Solok Selatan
This paper describes the implementation of the Randai Creation Workshop in South Solok Regency, which was carried out by ISI Padangpanjang Community Service Team. The workshops are carried out with problems solving approach and artistic research, which are oriented towards finding answers to problems through the practice of artwork creation. The process of creating Randai began with shared research for folklore that developed in South Solok, using the Focus Group Discussion (FGD) method, which resulted in findings in the form of the Bancah Birunguik story, which was then processed together as a screenplay. The process of creating Randai continued with the creation of Legaran with the method of practical mentoring, which departed from the repertoire of Silek Luncua, a silek genre that developed in South Solok. The last process of the workshop, also employing the method of practical assistance, is the blending of movements with sounds. This process is codified as an aspect of Randai musicality, using the Balam-Balam sung from Saluang Panjang tradition, a type of South Solok traditional song, as the main guide. The results of the workshop are several scenes of Randai as an embryo that can be developed into the typical Randai repertoire of South Solok.
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