通过弹拨乐器传播叙尔米亚传统遗产的文化化

M. Lukaš, Marko Damjanović
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引用次数: 0

摘要

传统音乐与特定的地理区域和该地区的文化有关,在这些地区,这些文化抵制全球化进程,并设法生存下来,这要归功于爱好者、照顾者的意愿,以及今天越来越多的教育机构的工作。本文从历史话语中解读了传统打击乐器作为叙利亚年轻人文化适应和社会化因素的一部分的作用。本文指出了坦姆布里扎音乐在叙利亚的目的和传统乐器为年轻一代提供的机会。通过对文献内容的历史分析和对Šokac传统遗产传承人的访谈,可以看出他们在传统遗产和习俗中对采摘乐器的态度。关注音乐遗产文化的主要传播者及其民间保护者,他们通过普及某些形式的民间传统,在叙利亚地区传播坦姆布里扎音乐。坦姆布里扎音乐教育家Pajo kolariki和Pere Tumbas Hajo也将被简要介绍,他们将坦姆布里扎提升到音乐的艺术水平。同样值得赞扬的还有那些在叙利亚村庄工作的不太知名的坦姆布里扎演奏者,他们娱乐人们,从而保护了他们地区的遗产。
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Enculturation of the traditional heritage of syrmia disseminated by plucking instruments
Traditional music is associated with certain geographical areas and the culture of the region, which in these areas resists globalization processes and manages to survive thanks to enthusiasts, the will of caregivers, and today more and more the work of educational institutions. This paper interprets the role of traditional percussion instruments from historical discourse as part of the enculturation and socialization factor of the young people of Syrmia. The paper points out the purpose of tamburitza music in Syrmia and the opportunities that traditional musical instruments provide to young generations. The historical analysis of the content of the literature and the interview of the transmitters of the traditional heritage of Šokac indicate the attitude towards the picking instruments in their traditional heritage and customs. Attention is paid to the dominant disseminators of musical heritage culture and its folk protectors who by popularizing certain forms of folk tradition, transmit tamburitza music in the area of Syrmia. Tamburitza music pedagogues Pajo Kolarić and Pere Tumbas Hajo, who raised the tamburitza to the artistic level of music, have also been briefly presented. No less merit should be attributed to the lesser-known village tamburitza players who worked in the villages of Syrmia, entertaining the people and thus acting to preserve the heritage of their region.
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