{"title":"“看孩子”:科马克·麦卡锡在《血子午线》和《路》中对童年的表现","authors":"Mădălina Larisa Kimak","doi":"10.2478/ewcp-2019-0003","DOIUrl":null,"url":null,"abstract":"Abstract This essay aims to illustrate the way in which the American writer Cormac McCarthy constructs the role of the children in his novels Blood Meridian, or the Evening Redness in the West and The Road to challenge the discursive reality elaborated by the two adult protagonists. The premise of this endeavor is that both Judge Holden and the man offer a logocentric vision of the world, which the young characters resist by questioning its validity and exposing its limits. The Post-Structuralist criticism of Jacques Derrida and Friedrich Nietzsche represents the theoretical foundation of the text analysis proposed below.","PeriodicalId":120501,"journal":{"name":"East-West Cultural Passage","volume":"4 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"“See the Child”: Representations of Childhood in Blood Meridian and The Road by Cormac McCarthy\",\"authors\":\"Mădălina Larisa Kimak\",\"doi\":\"10.2478/ewcp-2019-0003\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This essay aims to illustrate the way in which the American writer Cormac McCarthy constructs the role of the children in his novels Blood Meridian, or the Evening Redness in the West and The Road to challenge the discursive reality elaborated by the two adult protagonists. The premise of this endeavor is that both Judge Holden and the man offer a logocentric vision of the world, which the young characters resist by questioning its validity and exposing its limits. The Post-Structuralist criticism of Jacques Derrida and Friedrich Nietzsche represents the theoretical foundation of the text analysis proposed below.\",\"PeriodicalId\":120501,\"journal\":{\"name\":\"East-West Cultural Passage\",\"volume\":\"4 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"East-West Cultural Passage\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2478/ewcp-2019-0003\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"East-West Cultural Passage","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2478/ewcp-2019-0003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
“See the Child”: Representations of Childhood in Blood Meridian and The Road by Cormac McCarthy
Abstract This essay aims to illustrate the way in which the American writer Cormac McCarthy constructs the role of the children in his novels Blood Meridian, or the Evening Redness in the West and The Road to challenge the discursive reality elaborated by the two adult protagonists. The premise of this endeavor is that both Judge Holden and the man offer a logocentric vision of the world, which the young characters resist by questioning its validity and exposing its limits. The Post-Structuralist criticism of Jacques Derrida and Friedrich Nietzsche represents the theoretical foundation of the text analysis proposed below.