{"title":"\"Alma, si ciega vas tras tus antojos\":盲目阅读十七世纪文学作品","authors":"Cipriano López Lorenzo","doi":"10.3390/h12060133","DOIUrl":null,"url":null,"abstract":"Faced with the exaltation of sight as a perfect divine creation, so evident in the Uso de los antojos (1623) by Daza de Valdés, and faced with the satirical–burlesque tone of popular literature, dogmatic theology considered it inappropriate to praise a sense that deviated human understanding and made it difficult to comprehend the sacramental mysteries in depth. Through different fragments of literature produced in seventeenth-century Seville, we will see how the Church constructed, parallel to the scientific and popular discourses, a catechetical rhetoric that sought to deny physical sight and any device intended to enhance or restore it. The idea was to promote a knowledge of God guided by faith, allegorized as a blindfolded woman. Thus, we will see how the glasses and the blindfold capitalized two discourses that could feed back on each other and at the same time evidence the porosity of baroque literature towards the new advances in physics.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":"4 1","pages":"0"},"PeriodicalIF":0.3000,"publicationDate":"2023-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Alma, si ciega vas tras tus antojos”: Going Blindly through Seventeenth-Century Literature\",\"authors\":\"Cipriano López Lorenzo\",\"doi\":\"10.3390/h12060133\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Faced with the exaltation of sight as a perfect divine creation, so evident in the Uso de los antojos (1623) by Daza de Valdés, and faced with the satirical–burlesque tone of popular literature, dogmatic theology considered it inappropriate to praise a sense that deviated human understanding and made it difficult to comprehend the sacramental mysteries in depth. Through different fragments of literature produced in seventeenth-century Seville, we will see how the Church constructed, parallel to the scientific and popular discourses, a catechetical rhetoric that sought to deny physical sight and any device intended to enhance or restore it. The idea was to promote a knowledge of God guided by faith, allegorized as a blindfolded woman. Thus, we will see how the glasses and the blindfold capitalized two discourses that could feed back on each other and at the same time evidence the porosity of baroque literature towards the new advances in physics.\",\"PeriodicalId\":93761,\"journal\":{\"name\":\"Humanities (Basel, Switzerland)\",\"volume\":\"4 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-11-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Humanities (Basel, Switzerland)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3390/h12060133\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Humanities (Basel, Switzerland)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3390/h12060133","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
面对达萨·德·瓦尔达姆斯(Daza de vald) 1623年所写的《乌索·德·洛斯托托霍斯》(Uso de los antojos)中对视觉的赞美,以及通俗文学中讽刺讽刺的语气,教条主义神学认为赞美一种偏离人类理解并使人难以深入理解圣礼奥秘的感觉是不恰当的。通过17世纪塞维利亚产生的不同文学片段,我们将看到教会如何构建,与科学和大众话语平行,一种教理修辞,试图否认物理视觉和任何旨在增强或恢复视觉的设备。这个想法是通过信仰来促进对上帝的认识,寓言为一个蒙眼的女人。因此,我们将看到眼镜和眼罩是如何将两种话语资本化的,这两种话语可以相互反馈,同时也证明了巴洛克文学对物理学新进展的多孔性。
“Alma, si ciega vas tras tus antojos”: Going Blindly through Seventeenth-Century Literature
Faced with the exaltation of sight as a perfect divine creation, so evident in the Uso de los antojos (1623) by Daza de Valdés, and faced with the satirical–burlesque tone of popular literature, dogmatic theology considered it inappropriate to praise a sense that deviated human understanding and made it difficult to comprehend the sacramental mysteries in depth. Through different fragments of literature produced in seventeenth-century Seville, we will see how the Church constructed, parallel to the scientific and popular discourses, a catechetical rhetoric that sought to deny physical sight and any device intended to enhance or restore it. The idea was to promote a knowledge of God guided by faith, allegorized as a blindfolded woman. Thus, we will see how the glasses and the blindfold capitalized two discourses that could feed back on each other and at the same time evidence the porosity of baroque literature towards the new advances in physics.