{"title":"本雅明和戈德曼是帕斯卡尔的读者。本雅明的悲哀理论和戈德曼的悲剧视野理论","authors":"Marc Sagnol","doi":"10.31649/sent01.01.084","DOIUrl":null,"url":null,"abstract":"The article describes and partially compares Walter Benjamin's theory of sorrow and Lucien Goldman's theory of tragic vision. The comparison is made in the light of the connections between both theories and Pascal's philosophy. The author concludes that these theories are essentially analogous and complementary. In the author's opinion, both theories, despite all the differences, clarify sadness and tragedy by addressing the paradox of human existence that consists in the discovery of the vast infinity of the world and the inaccessibility of transcendence, in the light of which, however, we are forced to think about our own existence. Based on the results of the review, the author emphasizes the essential parallelism and connection of both theories with Pascal's philosophy, which to some extent can be seen as their common ground.","PeriodicalId":37673,"journal":{"name":"Sententiae","volume":"21 11","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Benjamin and Goldman as the readers of Pascal. Benjamin's theory of sorrow and Goldman's theory of tragic vision\",\"authors\":\"Marc Sagnol\",\"doi\":\"10.31649/sent01.01.084\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article describes and partially compares Walter Benjamin's theory of sorrow and Lucien Goldman's theory of tragic vision. The comparison is made in the light of the connections between both theories and Pascal's philosophy. The author concludes that these theories are essentially analogous and complementary. In the author's opinion, both theories, despite all the differences, clarify sadness and tragedy by addressing the paradox of human existence that consists in the discovery of the vast infinity of the world and the inaccessibility of transcendence, in the light of which, however, we are forced to think about our own existence. Based on the results of the review, the author emphasizes the essential parallelism and connection of both theories with Pascal's philosophy, which to some extent can be seen as their common ground.\",\"PeriodicalId\":37673,\"journal\":{\"name\":\"Sententiae\",\"volume\":\"21 11\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Sententiae\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31649/sent01.01.084\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Sententiae","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31649/sent01.01.084","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
Benjamin and Goldman as the readers of Pascal. Benjamin's theory of sorrow and Goldman's theory of tragic vision
The article describes and partially compares Walter Benjamin's theory of sorrow and Lucien Goldman's theory of tragic vision. The comparison is made in the light of the connections between both theories and Pascal's philosophy. The author concludes that these theories are essentially analogous and complementary. In the author's opinion, both theories, despite all the differences, clarify sadness and tragedy by addressing the paradox of human existence that consists in the discovery of the vast infinity of the world and the inaccessibility of transcendence, in the light of which, however, we are forced to think about our own existence. Based on the results of the review, the author emphasizes the essential parallelism and connection of both theories with Pascal's philosophy, which to some extent can be seen as their common ground.
期刊介绍：
Sententiae is historico-philosophical open access journal. Journal created by Modern philosophy''s research group (Pascalian society). Founded in 2000. Published twice a year, in June and December. Our purpose is to foster the development of a wide gamut of contemporary approaches, active implementation of them into research practice, and establishment of high standards of teaching philosophy basing on the achievements of contemporary history of philosophy. Our key priority is to ensure the empirical substantiation of historico-philosophical conceptions, basing on the criteria of literality, exhaustivity, contextuality and taking into account the existing speculative interpretations. Jean-Luc Marion was the first to formulate this set of criteria in 1998 as the main features of contemporary researches of Descartes''s philosophy. We regard these principles as the methodological background of any substantiated research method in the history of philosophy. Publishing materials on all historico-philosophical topics, we pay special attention to researches in terminology, issues of philosophical translation and untranslatability, manuscript researches (including handwritten heritage of Kyiv-Mohyla Academy professors of ХVІІ–ХVІІІ century), and cover the development of large-scale projects in this area. We also publish new bilingual and commented Ukrainian translations of classical foreign philosophical texts. Among our priorities there is also a coverage of the history of philosophical thought in Ukraine and other Eastern European countries and its relations to the wider cultural context (theology, literature, natural sciences, political ideology etc). The content of each issue is distributed according to Genre Sections and Thematic Headings. Currently there are 10 Genre Sections.
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