{"title":"从精神到文化的转变:平凡的诗学","authors":"Iryna Holovashenko","doi":"10.31649/sent01.01.226","DOIUrl":null,"url":null,"abstract":"The article considers the poetics of the common place as a postmodern principle of philosophical criticism. Traditional critics is always aimed at a \"finished work\", a \"text\", an \"artefact\" that has a certain meaning. In the \"artefact\", the researcher and critic tried to find what Heidegger defined as the truth in the work itself. Instead, postmodernism produces artefacts as such. The transition from the project of modernity to the postmodern space of artefacts follows in two ways: (1) through overcoming the growing conservatism of traditional understanding and (2) through the ideological influence of postmodernity as a cultural movement that has taken the form of contemporary symbolic expressions. According to the author, the postmodern culture of philosophizing attempts to substantiate the idea of becoming through singular experimentation in artistic and philosophical practice, i.e. through the search for an appropriate form to reflect the subject areas of becoming. In addition, the emphasis in the description of becoming is clearly shifting: from the terms of spirit to the terms of culture.","PeriodicalId":37673,"journal":{"name":"Sententiae","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2023-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The shift from spirit to culture: poetics of the commonplace\",\"authors\":\"Iryna Holovashenko\",\"doi\":\"10.31649/sent01.01.226\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article considers the poetics of the common place as a postmodern principle of philosophical criticism. Traditional critics is always aimed at a \\\"finished work\\\", a \\\"text\\\", an \\\"artefact\\\" that has a certain meaning. In the \\\"artefact\\\", the researcher and critic tried to find what Heidegger defined as the truth in the work itself. Instead, postmodernism produces artefacts as such. The transition from the project of modernity to the postmodern space of artefacts follows in two ways: (1) through overcoming the growing conservatism of traditional understanding and (2) through the ideological influence of postmodernity as a cultural movement that has taken the form of contemporary symbolic expressions. According to the author, the postmodern culture of philosophizing attempts to substantiate the idea of becoming through singular experimentation in artistic and philosophical practice, i.e. through the search for an appropriate form to reflect the subject areas of becoming. In addition, the emphasis in the description of becoming is clearly shifting: from the terms of spirit to the terms of culture.\",\"PeriodicalId\":37673,\"journal\":{\"name\":\"Sententiae\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Sententiae\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31649/sent01.01.226\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Sententiae","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31649/sent01.01.226","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
The shift from spirit to culture: poetics of the commonplace
The article considers the poetics of the common place as a postmodern principle of philosophical criticism. Traditional critics is always aimed at a "finished work", a "text", an "artefact" that has a certain meaning. In the "artefact", the researcher and critic tried to find what Heidegger defined as the truth in the work itself. Instead, postmodernism produces artefacts as such. The transition from the project of modernity to the postmodern space of artefacts follows in two ways: (1) through overcoming the growing conservatism of traditional understanding and (2) through the ideological influence of postmodernity as a cultural movement that has taken the form of contemporary symbolic expressions. According to the author, the postmodern culture of philosophizing attempts to substantiate the idea of becoming through singular experimentation in artistic and philosophical practice, i.e. through the search for an appropriate form to reflect the subject areas of becoming. In addition, the emphasis in the description of becoming is clearly shifting: from the terms of spirit to the terms of culture.
期刊介绍:
Sententiae is historico-philosophical open access journal. Journal created by Modern philosophy''s research group (Pascalian society). Founded in 2000. Published twice a year, in June and December. Our purpose is to foster the development of a wide gamut of contemporary approaches, active implementation of them into research practice, and establishment of high standards of teaching philosophy basing on the achievements of contemporary history of philosophy. Our key priority is to ensure the empirical substantiation of historico-philosophical conceptions, basing on the criteria of literality, exhaustivity, contextuality and taking into account the existing speculative interpretations. Jean-Luc Marion was the first to formulate this set of criteria in 1998 as the main features of contemporary researches of Descartes''s philosophy. We regard these principles as the methodological background of any substantiated research method in the history of philosophy. Publishing materials on all historico-philosophical topics, we pay special attention to researches in terminology, issues of philosophical translation and untranslatability, manuscript researches (including handwritten heritage of Kyiv-Mohyla Academy professors of ХVІІ–ХVІІІ century), and cover the development of large-scale projects in this area. We also publish new bilingual and commented Ukrainian translations of classical foreign philosophical texts. Among our priorities there is also a coverage of the history of philosophical thought in Ukraine and other Eastern European countries and its relations to the wider cultural context (theology, literature, natural sciences, political ideology etc). The content of each issue is distributed according to Genre Sections and Thematic Headings. Currently there are 10 Genre Sections.