走向真实性制度。从当代浪漫主义学术角度解读《看得见风景的房间

Francesca Pierini
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摘要

本文通过分析 E.M. 福斯特的《看得见风景的房间》(A Room with A View,1908 年),确定了自己的双重目标:(1) 揭示求爱和选择伴侣方面的变化,这些变化是上个世纪个人关系和浪漫关系的特点;(2) 探索英语小说中意大利他者文学建构的一个实例。通过根据(文学/流行)浪漫主义学术界最近的一些见解和发现(Regis,2003 年;Fletcher,2008 年;Illouz,2012 年)分析这部小说,本文证实了《看得见风景的房间》与浪漫主义文学传统的关联。
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Towards a Regime of Authenticity. Reading A Room with a View through the Lens of Contemporary Romance Scholarship
Through an analysis of E.M. Forster’s A Room with A View (1908), this article sets itself the twofold aim of (1) shedding light on the changes in courtship and the choosing of a partner that have characterised personal and romantic relationships over the last century, and (2) exploring an instance of the literary construction of Italian otherness in Anglophone fiction. By analysing the novel in the light of several recent insights and findings in (literary/popular) romance scholarship (Regis 2003; Fletcher 2008; Illouz 2012), this article corroborates the affiliations of A Room with a View with the romantic literary tradition.
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