Belly》，1998 年，导演：Hype Williams：深度掩护》，1992 年，导演：比尔-杜克比尔-杜克，以及我们》，2019 年，导演：乔丹-皮尔乔丹-皮尔

Callaloo Pub Date : 2024-05-14 DOI:10.1353/cal.2018.a927540

Robert Fernandez

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JORDAN PEELE</h2> <h3>Robert Fernandez</h3> Do you answer to the past? Are you master of the past? Does the past master you? The possibility of recreation, like a stroll edging everything from its path, is the possibility of seeing you and forgetting what brought you here. Here you are. You are you. You are here. You are a family—in it together. Where colonialism produces the bourgeois family, you carry others with you like a shadow. A shadow knots a mirror. A mirror, a tissue, the stencil of a family. A voice cries from the depths: WHAT IS NOT ME IS ME. A zombie Seurat paints the picture of an afternoon in the park with five billion screaming dots of roe. A debt comes due. You to you. Me to me. Us. Look in the mirror. Grab yourself by the throat and make a choice. [End Page 23] Robert Fernandez Robert Fernandez is the author of Scarecrow (Wesleyan University Press, 2016), as well as Pink Reef (2013) and We Are Pharaoh (2011), both published by Canarium Books. 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引用次数: 0

摘要

以下是内容的简要摘录，以代替摘要： Belly》，1998 年，导演：Hype Williams，以及Deep cover》，1992 年，导演：比尔-杜克比尔-杜克，以及我们》，2019 年，导演：乔丹-皮尔乔丹-皮尔-罗伯特-费尔南德斯（简历）与魔鬼的交易并不顺利。与魔鬼的交易需要一个孩子。在五角星和红蜡烛上，一首诗像孩子手中的一元纸币一样燃烧。烟雾吸引众神。众神的血是金钱。咒语是一把钥匙，就像蛋白质激活基因，就像金钱开启矿石时代。就像一首诗是一扇门，由龙腹中的孩子用钥匙打开。回到你的战争。阿金是一个空间；家是一个家庭。世界是一个边缘，舞厅是一个宇宙。一首诗像珊瑚一样在黑暗中熠熠生辉。用手指划过它，湿润如胶片，卷曲如开端。红如朝阳，重新开始。[深层封面，1992 导演：比尔-杜克罗伯特-费尔南德斯从喉咙里喷出一阵烟雾基督来了钱是什么？七美元钞票上的鹈鹕。伪造的可能性。现实会杀死人；我要驾驭它。我是什么？一个失控的父亲。一个犯罪的儿子。我沉沦，沉沦；我浮出水面，成为主人。我把圣礼加倍，掰开亵渎的面包。肮脏的火焰让肉沾满烟灰。一首诗在金钱中结束。亿万人在熔炉中呻吟。房子的墙壁是毒药。成瘾是偶像崇拜，是假冒的祈祷。虚伪是法律，活人给死人定罪。世界是毒瘾，生命沦为金钱。我寻找父亲，揭露一切腐败。真理如烟，从我口中涌出。真理是不可能的，现实闯入。世界在改变，不可能的在进入。魔鬼是一种模式，是一团游荡的火焰。[第 22 页完] 美国，2019 年导演：乔丹-皮勒JORDAN PEELE Robert Fernandez 你对过去负责吗？你是过去的主人吗？你是过去的主人吗？娱乐的可能性，就像漫步将一切从它的路径上移开，是看到你和忘记带你来这里的可能性。你就在这里。你就是你。你们在这里。你们是一家人。在殖民主义制造资产阶级家庭的地方，你像影子一样带着其他人。影子结成一面镜子。一面镜子，一张纸巾，一个家庭的模板。一个声音从深处呐喊：不是我的就是我僵尸修拉用 50 亿个尖叫的狍子点描绘了公园里的一个下午。债务到期了。你对你。我对我。我们。照照镜子。扼住自己的喉咙，做出选择。[罗伯特-费尔南德斯罗伯特-费尔南德斯（Robert Fernandez）著有《稻草人》（卫斯理安大学出版社，2016 年），以及《粉红暗礁》（2013 年）和《我们是法老》（2011 年），均由 Canarium Books 出版。他还是《蔚蓝》（卫斯理安大学出版社，2015 年）的合译者，该书翻译了斯特凡-马拉美的作品。版权所有 © 2024 约翰斯-霍普金斯大学出版社 ...

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Belly, 1998 Dir. Hype Williams, and: Deep cover, 1992 dir. Bill Duke, and: Us, 2019 Dir. Jordan Peele

In lieu of an abstract, here is a brief excerpt of the content:

Belly, 1998 Dir. Hype Williams, and: Deep cover, 1992 dir. Bill Duke, and: Us, 2019 Dir. Jordan Peele
Robert Fernandez (bio)

A deal with the devil doesn’t go rite. A deal with the devil stipulates a child. A poem burns like a dollar bill held by a child over a pentagram and red candles. Smoke attracts the gods. The gods bleed money. A spell is a key, like a protein activates a gene, like money opens an age of ore. Like a poem is a door unlocked with a key held by a child in the belly of a dragon. Get back to what you war. Akin is a space; home is a family. The world is a margin; a dancehall is a universe. A poem stands out like coral against the dark. Run your fingers across it, wet as film, reel as a beginning. Red as a sunrise and start again. [End Page 21]

DEEP COVER, 1992 DIR. BILL DUKE

Robert Fernandez

A blast of crack smoke pours from the throat. Christ is here. What is money? A pelican on a seven-dollar bill. Counterfeit possibility. Reality kills; I would master it. What am I? A strung-out father. A criminal son. I go down, go under; I come up, a master. I multiply the sacrament, break profane bread. Dirty flames streak meat with soot. A poem ends in money. Billions groan in the furnace. The walls of the house are poison. Addiction is idolatry, counterfeit prayer. Hypocrisy is the law; the living convict the dead. The world is addiction, life reduced to money. I search for a father, expose every corruption. Truth pours from me like smoke. Truth is impossible; reality intrudes. The world transforms; the impossible enters. The devil is a pattern, a roving flame. [End Page 22]

US, 2019 DIR. JORDAN PEELE

Robert Fernandez

Do you answer to the past? Are you master of the past? Does the past master you? The possibility of recreation, like a stroll edging everything from its path, is the possibility of seeing you and forgetting what brought you here. Here you are. You are you. You are here. You are a family—in it together. Where colonialism produces the bourgeois family, you carry others with you like a shadow. A shadow knots a mirror. A mirror, a tissue, the stencil of a family. A voice cries from the depths: WHAT IS NOT ME IS ME. A zombie Seurat paints the picture of an afternoon in the park with five billion screaming dots of roe. A debt comes due. You to you. Me to me. Us. Look in the mirror. Grab yourself by the throat and make a choice. [End Page 23]

Robert Fernandez

Robert Fernandez is the author of Scarecrow (Wesleyan University Press, 2016), as well as Pink Reef (2013) and We Are Pharaoh (2011), both published by Canarium Books. He is also co-translator of Azure (Wesleyan University Press, 2015), a translation of the work of Stéphane Mallarmé.

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Callaloo

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