贝里布莱克蓝调爱黑暗,以及世代诅咒连根拔起重忆亲情

Callaloo Pub Date : 2024-08-29 DOI:10.1353/cal.2024.a935746
Shanna L. Smith
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Smith (bio) </li> </ul> <h2>BERRYBLACK BLUES</h2> <p><em>For Crystal</em></p> <p><span>I'm in love with old-people words,</span><span>their memories blowing out at me in riffs</span><span>like slow drags to</span><span>live in-person, up-close kind of blues</span><span>where their faces sweat</span><span>tilted up like remembering God.</span></p> <p><span>I squeeze into spaces</span><span>too long</span><span>to listen,</span><span>catch a word</span><span>of rememory</span><span>from them—</span><span>a recipe for hard-won living.</span></p> <p><span>That slow drag of a cigarette</span><span>and diphthong vowel</span><span>rounding their lips</span><span>anticipates my hearing</span><span>as they improvise memory</span><span>while patiently stroking</span><span>squat green glasses of whiskey.</span></p> <p><span>I've learned to wait</span><span>for muttered-beneath-the-breath tales</span><span>of Black boyhoods loaded into pickup trucks</span><span>to strip tobacco;</span><span>or only-once-told rumors of</span><span>Black girls bartered away for a pint of liquor;</span><span>about Big Mama wringing chicken heads</span><span>to feed her berryblack, amber, and butterscotch children.</span><span>I listen to visualize the Affrilachian hills, knobs, and junkets</span><span>peopled with brown skin, poor folk <strong>[End Page 152]</strong></span> <span>rich with hands that strung cane-back chairs,</span><span>carved wooden vanity tables, pressed</span><span>biscuit dough between fingers,</span><span>threaded needles through brocade,</span><span>upholstered couch covers,</span><span>and laid brick for homes that none of us now own.</span></p> <p><span>The stories fill my mouth sourly</span><span>and becomes my mourning blues,</span><span>then a healing balm refrain</span><span>as I slap hard the table</span><span>where I sit among the cloud of witnesses</span><span>that crowd my memory—</span><span>as they knew it would—</span><span>and we laugh together, overtaken,</span><span>improvising light into life's shadows. <strong>[End Page 153]</strong></span></p> <h2>LOVING THE DARK</h2> <p><em>For bell</em></p> <p><span>I am loving darkness,</span><span>risk my life</span><span>and dare</span><span>dance dusky hips</span><span>in the blueblack</span><span>darkness of us.</span></p> <p><span>Blackfolk emboldened</span><span>by deep burgundy bruises</span><span>in our DNA that,</span><span>when pressed down, explode</span><span>a shout of joy</span><span>a keening wail</span><span>a roar buckled</span><span>from the mournful, searing ache</span><span>of holding up the whole world</span><span>in the spine of our work-worn backs.</span></p> <p><span>I hurt for us,</span><span>travailing in indigo ink</span><span>published to cast light</span><span>to toxic shadows</span><span>we'd much rather leave eclipsed—</span><span>exposing the beauty of when we,</span><span>so beautifully black,</span><span>be so blue. <strong>[End Page 154]</strong></span></p> <h2>GENERATIONAL CURSES</h2> <p><em>For Gayl</em></p> <p><span>We are tired</span><span>of waiting</span><span>to birth generations</span><span>carrying us</span><span>in bellies</span><span>pushed</span><span>with new life;</span></p> <p><span>weary of pushing</span><span>and coming up shit</span><span>as our offspring</span><span>make homes of it.</span></p> <p><span>We are exhausted</span><span>of loving</span><span>hard</span><span>and getting</span><span>fucked.</span></p> <p><span>We want babies</span><span>passing our stories.</span><span>We want children</span><span>spinning songs.</span><span>We want youth</span><span>cocky with spirit—</span></p> <p><span>we want generations</span><span>passing us on. <strong>[End Page 155]</strong></span></p> <h2>THE UPROOTING</h2> <p><span>Spirit-shook, I move again</span><span>onto an unintended path.</span><span>My belly groans in fear</span><span>of these miles, a re-crossing into Mississippi</span><span>as Cassandra<sup>1</sup> croons a lulling verse—</span></p> <p><span><em>\"Traveling miles … crossing time … shifting (stars)</em></span><span><em>traveling miles and miles\"</em></span></p> <p><span>Taking the journey though none go with me—</span><span>not my family living other lives,</span><span>not the books settling and housed in boxes,</span><span>not the friends virtually visited,</span><span>not the art, nor memoried heirlooms</span><span>—the things that made me, me.</span><span>No, not a one.</span></p> <p><span>This path, resisted, is the expected one</span><span>trudging deep into our family's rememory</span><span>of Great-Granddaddy Carson's rumored rebellion:</span><span>newly Knoxville College educated, and</span><span>studiously unmoved from whitened sidewalks.</span><span>Black rage in pale Southern skins</span><span>propelled him hastily onto a late train</span><span>with Grandmother Emma,</span><span>out of the Delta</span><span>into the Bluegrass.</span><span>Together they ushered a new beginning</span><span>to the only homeplace three generations knew—</span><span>a bourbon-trailed Louisville, Kentucky.</span><span>Now I stumble back into place,</span><span>Greenville.</span><span>Who had they left behind? <strong>[End Page 156]</strong></span> <span>The paths merge, theirs and mine,</span><span>calling me back. Here.</span><span>And I will bear it for them,</span><span>the uprooted,</span><span>the story bearer, chosen in the third generation</span><span>to repair the rupture</span><span>of dislocated family</span><span>and this narrative of who and how and where we now are. <strong>[End Page 157]</strong></span></p> <h2>RE-MEMBERING KIN</h2> <p><em>For Gilette</em></p> <p><span>I remember for her, now gone,</span><span>and the more than thrice-told tales</span><span>of family lore she planted</span><span>like veined verdant greens</span><span>slow simmering in her pot</span><span>to serve gathered kin.</span><span>The planting, the rich growing tale of...</span></p> </p>","PeriodicalId":501435,"journal":{"name":"Callaloo","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2024-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Berryblack Blues, and: Loving the Dark, and: Generational Curses, and: The Uprooting, and: Re-membering Kin\",\"authors\":\"Shanna L. 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Smith (bio) </li> </ul> <h2>BERRYBLACK BLUES</h2> <p><em>For Crystal</em></p> <p><span>I'm in love with old-people words,</span><span>their memories blowing out at me in riffs</span><span>like slow drags to</span><span>live in-person, up-close kind of blues</span><span>where their faces sweat</span><span>tilted up like remembering God.</span></p> <p><span>I squeeze into spaces</span><span>too long</span><span>to listen,</span><span>catch a word</span><span>of rememory</span><span>from them—</span><span>a recipe for hard-won living.</span></p> <p><span>That slow drag of a cigarette</span><span>and diphthong vowel</span><span>rounding their lips</span><span>anticipates my hearing</span><span>as they improvise memory</span><span>while patiently stroking</span><span>squat green glasses of whiskey.</span></p> <p><span>I've learned to wait</span><span>for muttered-beneath-the-breath tales</span><span>of Black boyhoods loaded into pickup trucks</span><span>to strip tobacco;</span><span>or only-once-told rumors of</span><span>Black girls bartered away for a pint of liquor;</span><span>about Big Mama wringing chicken heads</span><span>to feed her berryblack, amber, and butterscotch children.</span><span>I listen to visualize the Affrilachian hills, knobs, and junkets</span><span>peopled with brown skin, poor folk <strong>[End Page 152]</strong></span> <span>rich with hands that strung cane-back chairs,</span><span>carved wooden vanity tables, pressed</span><span>biscuit dough between fingers,</span><span>threaded needles through brocade,</span><span>upholstered couch covers,</span><span>and laid brick for homes that none of us now own.</span></p> <p><span>The stories fill my mouth sourly</span><span>and becomes my mourning blues,</span><span>then a healing balm refrain</span><span>as I slap hard the table</span><span>where I sit among the cloud of witnesses</span><span>that crowd my memory—</span><span>as they knew it would—</span><span>and we laugh together, overtaken,</span><span>improvising light into life's shadows. <strong>[End Page 153]</strong></span></p> <h2>LOVING THE DARK</h2> <p><em>For bell</em></p> <p><span>I am loving darkness,</span><span>risk my life</span><span>and dare</span><span>dance dusky hips</span><span>in the blueblack</span><span>darkness of us.</span></p> <p><span>Blackfolk emboldened</span><span>by deep burgundy bruises</span><span>in our DNA that,</span><span>when pressed down, explode</span><span>a shout of joy</span><span>a keening wail</span><span>a roar buckled</span><span>from the mournful, searing ache</span><span>of holding up the whole world</span><span>in the spine of our work-worn backs.</span></p> <p><span>I hurt for us,</span><span>travailing in indigo ink</span><span>published to cast light</span><span>to toxic shadows</span><span>we'd much rather leave eclipsed—</span><span>exposing the beauty of when we,</span><span>so beautifully black,</span><span>be so blue. <strong>[End Page 154]</strong></span></p> <h2>GENERATIONAL CURSES</h2> <p><em>For Gayl</em></p> <p><span>We are tired</span><span>of waiting</span><span>to birth generations</span><span>carrying us</span><span>in bellies</span><span>pushed</span><span>with new life;</span></p> <p><span>weary of pushing</span><span>and coming up shit</span><span>as our offspring</span><span>make homes of it.</span></p> <p><span>We are exhausted</span><span>of loving</span><span>hard</span><span>and getting</span><span>fucked.</span></p> <p><span>We want babies</span><span>passing our stories.</span><span>We want children</span><span>spinning songs.</span><span>We want youth</span><span>cocky with spirit—</span></p> <p><span>we want generations</span><span>passing us on. <strong>[End Page 155]</strong></span></p> <h2>THE UPROOTING</h2> <p><span>Spirit-shook, I move again</span><span>onto an unintended path.</span><span>My belly groans in fear</span><span>of these miles, a re-crossing into Mississippi</span><span>as Cassandra<sup>1</sup> croons a lulling verse—</span></p> <p><span><em>\\\"Traveling miles … crossing time … shifting (stars)</em></span><span><em>traveling miles and miles\\\"</em></span></p> <p><span>Taking the journey though none go with me—</span><span>not my family living other lives,</span><span>not the books settling and housed in boxes,</span><span>not the friends virtually visited,</span><span>not the art, nor memoried heirlooms</span><span>—the things that made me, me.</span><span>No, not a one.</span></p> <p><span>This path, resisted, is the expected one</span><span>trudging deep into our family's rememory</span><span>of Great-Granddaddy Carson's rumored rebellion:</span><span>newly Knoxville College educated, and</span><span>studiously unmoved from whitened sidewalks.</span><span>Black rage in pale Southern skins</span><span>propelled him hastily onto a late train</span><span>with Grandmother Emma,</span><span>out of the Delta</span><span>into the 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引用次数: 0

摘要

以下是内容的简要摘录,以代替摘要: 贝里布莱克蓝调爱黑暗,以及世代诅咒连根拔起对 Crystal 而言,我爱上了老人们的话语,他们的记忆在我耳边娓娓道来,就像缓慢拖动的节奏,让我亲身体验到近距离的蓝调,他们的脸庞微微翘起,就像在缅怀上帝。我挤在空间里,久久地倾听,捕捉他们的回忆--这是一种来之不易的生活方式。他们缓慢地吸着烟,嘴唇上环绕着双元音,期待着我的聆听,他们一边即兴回忆,一边耐心地抚摸着绿色的威士忌大酒杯。我学会了等待喃喃低语,等待黑人男孩被装进皮卡车剥烟草的故事;等待黑人女孩为了一品脱白酒而以物易物的只言片语;等待大妈拧着鸡头喂养她的浆果黑、琥珀色和奶油色孩子的故事。我听着这些故事,想象着阿弗里拉契亚的山丘、钮扣和礁石上布满了棕色皮肤的贫苦百姓 [第 152 页完] 富足的双手,他们用手串藤条椅背、雕刻木制梳妆台、用手指按压饼干面团、用针穿织锦缎、用软垫铺沙发套、用砖砌我们现在都没有的房子。这些故事酸涩地充斥着我的口腔,成为我哀伤的蓝调,然后又成为治愈我心灵的良药,我用力拍打着桌子,坐在那些挤满我记忆的见证人中间--他们也知道会是这样--我们一起欢笑,一起超越,一起在生活的阴影中创造光明。[爱黑暗的钟声 我爱黑暗,冒着生命危险,敢于在我们的蓝黑色黑暗中舞动昏暗的臀部。我们的 DNA 中深藏着酒红色的瘀伤,这些瘀伤一经压迫,就会爆发出欢快的呐喊、凄厉的哀嚎和怒吼,而这些呐喊、哀嚎和怒吼都来自于我们饱经沧桑的脊背上那股支撑起整个世界的悲痛和灼热。我为我们感到痛心,我们在靛蓝色的墨水中苦苦挣扎,为有毒的阴影投下光亮,我们宁愿让它黯然失色--当我们如此美丽的黑色如此蔚蓝时,我们的美丽就会暴露无遗。[第 154 页完] 盖尔的世代诅咒 我们已经厌倦了等待一代代人的诞生,我们的腹中孕育着新的生命;我们已经厌倦了在我们的后代为其创造家园时,我们的后代却被推得一塌糊涂。我们已经厌倦了苦苦相爱和被操。我们希望婴儿传递我们的故事,我们希望孩子们传唱我们的歌曲,我们希望年轻人充满活力--我们希望一代代人将我们传承下去。[第 155 页完] 《上根》 精神受到震撼,我再次踏上了一条不归路。我的腹部因害怕这些里程而呻吟,因为卡桑德拉(Cassandra1)吟唱着令人心旷神怡的诗句--"旅行万里......穿越时空......变换(星辰)旅行万里",尽管没有人与我同行,没有我的家人过着另一种生活,没有沉淀在箱子里的书籍,没有拜访过的朋友,没有艺术品,也没有值得纪念的传家宝--这些让我成为我的东西。这条被抵制的道路,是在我们家族对曾祖父卡森传闻中的叛逆的记忆深处艰难前行的预期之路:他刚刚在诺克斯维尔学院接受教育,在白色的人行道上勤奋学习,无动于衷。苍白的南方皮肤中蕴藏着黑色的愤怒,他与祖母埃玛一起匆匆登上晚点的火车,离开德尔坦,前往蓝草地区。现在,我跌跌撞撞地回到了格林维尔。[他们的路和我的路交汇在一起,召唤我回去。在这里,我将为他们承受这一切,我是背井离乡的人,是故事的承载者,在第三代中被选中来修复失散家庭的裂痕,并讲述我们现在是谁,如何以及在哪里。[第 157 页完] 重新缅怀亲情 我缅怀吉莱特,缅怀她已经离去的身影,缅怀她种植的不止三遍的家族传说故事,就像她的锅里煨着的翠绿的植物,为聚集在一起的亲人们服务。
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Berryblack Blues, and: Loving the Dark, and: Generational Curses, and: The Uprooting, and: Re-membering Kin
In lieu of an abstract, here is a brief excerpt of the content:

  • Berryblack Blues, and: Loving the Dark, and: Generational Curses, and: The Uprooting, and: Re-membering Kin
  • Shanna L. Smith (bio)

BERRYBLACK BLUES

For Crystal

I'm in love with old-people words,their memories blowing out at me in riffslike slow drags tolive in-person, up-close kind of blueswhere their faces sweattilted up like remembering God.

I squeeze into spacestoo longto listen,catch a wordof rememoryfrom them—a recipe for hard-won living.

That slow drag of a cigaretteand diphthong vowelrounding their lipsanticipates my hearingas they improvise memorywhile patiently strokingsquat green glasses of whiskey.

I've learned to waitfor muttered-beneath-the-breath talesof Black boyhoods loaded into pickup trucksto strip tobacco;or only-once-told rumors ofBlack girls bartered away for a pint of liquor;about Big Mama wringing chicken headsto feed her berryblack, amber, and butterscotch children.I listen to visualize the Affrilachian hills, knobs, and junketspeopled with brown skin, poor folk [End Page 152] rich with hands that strung cane-back chairs,carved wooden vanity tables, pressedbiscuit dough between fingers,threaded needles through brocade,upholstered couch covers,and laid brick for homes that none of us now own.

The stories fill my mouth sourlyand becomes my mourning blues,then a healing balm refrainas I slap hard the tablewhere I sit among the cloud of witnessesthat crowd my memory—as they knew it would—and we laugh together, overtaken,improvising light into life's shadows. [End Page 153]

LOVING THE DARK

For bell

I am loving darkness,risk my lifeand daredance dusky hipsin the blueblackdarkness of us.

Blackfolk emboldenedby deep burgundy bruisesin our DNA that,when pressed down, explodea shout of joya keening waila roar buckledfrom the mournful, searing acheof holding up the whole worldin the spine of our work-worn backs.

I hurt for us,travailing in indigo inkpublished to cast lightto toxic shadowswe'd much rather leave eclipsed—exposing the beauty of when we,so beautifully black,be so blue. [End Page 154]

GENERATIONAL CURSES

For Gayl

We are tiredof waitingto birth generationscarrying usin belliespushedwith new life;

weary of pushingand coming up shitas our offspringmake homes of it.

We are exhaustedof lovinghardand gettingfucked.

We want babiespassing our stories.We want childrenspinning songs.We want youthcocky with spirit—

we want generationspassing us on. [End Page 155]

THE UPROOTING

Spirit-shook, I move againonto an unintended path.My belly groans in fearof these miles, a re-crossing into Mississippias Cassandra1 croons a lulling verse—

"Traveling miles … crossing time … shifting (stars)traveling miles and miles"

Taking the journey though none go with me—not my family living other lives,not the books settling and housed in boxes,not the friends virtually visited,not the art, nor memoried heirlooms—the things that made me, me.No, not a one.

This path, resisted, is the expected onetrudging deep into our family's rememoryof Great-Granddaddy Carson's rumored rebellion:newly Knoxville College educated, andstudiously unmoved from whitened sidewalks.Black rage in pale Southern skinspropelled him hastily onto a late trainwith Grandmother Emma,out of the Deltainto the Bluegrass.Together they ushered a new beginningto the only homeplace three generations knew—a bourbon-trailed Louisville, Kentucky.Now I stumble back into place,Greenville.Who had they left behind? [End Page 156] The paths merge, theirs and mine,calling me back. Here.And I will bear it for them,the uprooted,the story bearer, chosen in the third generationto repair the ruptureof dislocated familyand this narrative of who and how and where we now are. [End Page 157]

RE-MEMBERING KIN

For Gilette

I remember for her, now gone,and the more than thrice-told talesof family lore she plantedlike veined verdant greensslow simmering in her potto serve gathered kin.The planting, the rich growing tale of...

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