19世纪阿根廷文学中神话的美学:维森特·洛佩兹与普拉纳斯和奥列加里奥五世。安德拉德

María José Barrios Castro
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引用次数: 0

摘要

本文的目的是研究希腊罗马神话在19世纪阿根廷的使用,重点关注两位杰出的作家从不同的角度和美学角度来处理这些神话。前者,Vicente López y Planes,在他的作品El triunfo argentino中,通过遵循以神话为惯例的古典主义美学来吸引神话。后者,奥列加里奥·V·安德拉德,在他的作品《普罗米修斯》中沉浸在浪漫主义中,选择了这个神话人物作为越轨英雄。此外,我们必须考虑到西班牙裔美国人为脱离西班牙独立而斗争的特殊现实,因为他们以法国为榜样,却没有意识到在接受其影响的同时,他们也获得了一种新的殖民力量。
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Las estéticas del mito en la literatura argentina del siglo XIX: Vicente López y Planes y Olegario V. Andrade
The aim of this paper is to study the use of Greco-Roman myths in 19th Century Argentina by focusing on two outstanding authors for their way of approaching them from different perspectives and aesthetics. The former, Vicente López y Planes, in his work El triunfo argentino appeals to myth by following the classicist aesthetic characterized by the use of mythology as a convention. The latter, Olegario V. Andrade, immersed in Romanticism in his work Prometeo chooses this mythological character for being a transgressive hero. Besides, we must take into account the particular Spanish-American reality in which people fight for Independence from Spain, since they take France as a model, without realizing that while accepting its influence, they receive at the same time a new colonizing power.
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