Tense Alternation in Japanese Literature: Translating Free Indirect Discourse and Focalization in Kashimada Maki’s Meido meguri

This paper examines the phenomenon of tense alternation in Japanese literary narrative, making specific reference to Kashimada Maki’s (鹿島田 真希) novella Meido meguri (冥途めぐり Touring the Land of the Dead, 2012) as a case study. It argues that tense alternation in sentence‑final predicative verbs should be regarded a stylistic technique that serves as an indicator of free indirect discourse and of focalization through a central character, and that it moreover establishes an opposition between external narration and internal focalization. It then illustrates how this dynamic is employed in Meido Meguri to create a contrast between a mode suggesting narrative distance and another suggesting mental interiority. This paper thus highlights a significant linguistic difference in the construction of free indirect discourse in Japanese and English narratives.