Marie Luise Kaschnitz短篇小说《Lange Schatten》、《Am Circeo》和《Eines Mittags,Mitte June》中的“蓝色地中海”(1960)

Jana Hrdličková
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引用次数: 0

摘要

地中海地区及其文化是Marie Luise Kaschnitz作品的中心主题,从20世纪20年代中期开始,它们塑造了她的诗歌以及她的小说《Liebe beginnt》(1933年)和《Elissa》(1937年)。在她的战后文本中——短篇小说、广播剧、散文、笔记和诗歌——地中海世界变得至关重要;这反映了她丈夫的历史文化工作,并带领这对夫妇前往意大利、(前)南斯拉夫、希腊、土耳其和北非进行了几次长途旅行。在激发Marie Luise Kaschnitz创作的风景中,第勒尼安海岸的传奇人物Monte Circeo一再成为一个突出的元素。这篇文章旨在展示这个地方对作者的私生活意味着什么,并重点关注她在1960年写的三个短篇小说中对它的描述:《Lange Schatten》、《Am Circeo》和《Eines Mittags,Mitte Juni》。
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Das „blaue Mittelmeer“ in Marie Luise Kaschnitz’ Kurzgeschichten ,Lange Schatten‘, ,Am Circeo‘ und ,Eines Mittags, Mitte Juni‘ (1960)
The region of the Mediterranean and its cultures are central themes in the writings of Marie Luise Kaschnitz, and from the mid-1920 they shaped her poetry as well as her novels ‘Liebe beginnt’ (1933) and ‘Elissa’ (1937). In her post-war texts – short stories, radio plays, essays, notes, and poems – the Mediterranean world became crucially important; this reflected her husband’s historical-cultural work and led the couple to undertake several long journeys to Italy, (former) Yugoslavia, Greece, Turkey, and North Africa. Among the landscapes that stimulated Marie Luise Kaschnitz’s creative work, the legendary Monte Circeo on the Tyrrhenian coast repeatedly emerged as a prominent element. The article intends to show what this place meant for the author’s private life, also focusing on how she depicted it in three short stories written in 1960: ‘Lange Schatten’, ‘Am Circeo’, and ‘Eines Mittags, Mitte Juni’.
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来源期刊
Acta Facultatis Philosophicae Universitatis Ostravienis Studia Germanistica
Acta Facultatis Philosophicae Universitatis Ostravienis Studia Germanistica Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
14
审稿时长
16 weeks
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