Pub Date : 2023-09-01DOI: 10.15452/studiagermanistica.2023.32.0005
Ingrid Puchalová
Maria Therese von Artner, born in 1772, is one of the almost forgotten German authors born in what is now Slovakia, which at the time was Upper Hungary. She was interested in various aspects of the social and political upheavals in the Habsburg Monarchy and in Europe around 1800, especially the everyday reality of women’s lives. Against the background of contemporary socio-historical conditions, this study examines the self-image of the author, who lived and worked on the periphery of cultural centres and whose writing was determined by her personal artistic ambitions and the literary trends of the time.
Maria Therese von Artner，生于1772年，是一位几乎被遗忘的德国作家，她出生在现在的斯洛伐克，也就是当时的上匈牙利。她对1800年前后哈布斯堡王朝和欧洲的社会和政治动荡的各个方面都很感兴趣，尤其是女性生活的日常现实。在当代社会历史条件的背景下，本研究考察了作者的自我形象，她生活和工作在文化中心的边缘，她的写作是由她的个人艺术抱负和当时的文学趋势决定的。
{"title":"Zu den Sprechpositionen in den früheren lyrischen Texten von Marie Therese von Artner","authors":"Ingrid Puchalová","doi":"10.15452/studiagermanistica.2023.32.0005","DOIUrl":"https://doi.org/10.15452/studiagermanistica.2023.32.0005","url":null,"abstract":"Maria Therese von Artner, born in 1772, is one of the almost forgotten German authors born in what is now Slovakia, which at the time was Upper Hungary. She was interested in various aspects of the social and political upheavals in the Habsburg Monarchy and in Europe around 1800, especially the everyday reality of women’s lives. Against the background of contemporary socio-historical conditions, this study examines the self-image of the author, who lived and worked on the periphery of cultural centres and whose writing was determined by her personal artistic ambitions and the literary trends of the time.","PeriodicalId":36094,"journal":{"name":"Acta Facultatis Philosophicae Universitatis Ostravienis Studia Germanistica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135388220","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.15452/studiagermanistica.2023.32.0003
Norbert Richard Wolf
The famous verses from Goethe’s ‚Faust I‘ Mein schönes Fräulein, darf ich wagen, / Meinen Arm und Geleit Ihr anzutragen? and Margarethe’s answer Bin weder Fräulein, weder schön, / Kann ungeleitet nach Hause gehn. repeatedly provoke discussion about why Margarethe emphasizes that she is not a Fräulein. It is also clear from other passages in the text, especially in the use of personal names, that Goethe likes to cite historical usage of language. We know that Goethe read early New High German texts, so we can assume that Goethe was concerned with earlier language use. Language history, especially word history, thus becomes an important tool for adequately understanding Goethe’s texts.
歌德的《浮士德》中的著名诗句:《浮士德我在哪里》schönes Fräulein、《我在哪里》、《我在哪里》、《我在哪里》。而玛格丽特的回答是:Bin weder Fräulein, weder schön， / Kann uneleitet nach house gehn。反复引发关于玛格丽特为什么强调自己不是Fräulein的讨论。从文中的其他段落，尤其是人名的使用中也可以清楚地看出，歌德喜欢引用语言的历史用法。我们知道歌德读过早期的新高地德语文本，所以我们可以假设歌德关心的是早期的语言使用。语言史，尤其是词汇史，因此成为充分理解歌德文本的重要工具。
{"title":"Goethe als Sprachhistoriker","authors":"Norbert Richard Wolf","doi":"10.15452/studiagermanistica.2023.32.0003","DOIUrl":"https://doi.org/10.15452/studiagermanistica.2023.32.0003","url":null,"abstract":"The famous verses from Goethe’s ‚Faust I‘ Mein schönes Fräulein, darf ich wagen, / Meinen Arm und Geleit Ihr anzutragen? and Margarethe’s answer Bin weder Fräulein, weder schön, / Kann ungeleitet nach Hause gehn. repeatedly provoke discussion about why Margarethe emphasizes that she is not a Fräulein. It is also clear from other passages in the text, especially in the use of personal names, that Goethe likes to cite historical usage of language. We know that Goethe read early New High German texts, so we can assume that Goethe was concerned with earlier language use. Language history, especially word history, thus becomes an important tool for adequately understanding Goethe’s texts.","PeriodicalId":36094,"journal":{"name":"Acta Facultatis Philosophicae Universitatis Ostravienis Studia Germanistica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135388219","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.15452/studiagermanistica.2023.32.0001
Pavlína Hilscherová, Lenka Vaňková
This article focuses on the use of musical terminology in new contexts which have no connection with the original musical context. In these new contexts, musical terms are used in a figurative meaning, serving as metaphors to describe often highly complicated aspects of reality. Based on the journalistic texts in the DeReKo corpus, the paper explores the ratio between the use of selected terms in musical contexts and non-musical contexts, investigates which aspects of reality are described via musical terminology, and analyzes the functions that these metaphors perform.
{"title":"Musikfachwörter in fachfremden Kontexten","authors":"Pavlína Hilscherová, Lenka Vaňková","doi":"10.15452/studiagermanistica.2023.32.0001","DOIUrl":"https://doi.org/10.15452/studiagermanistica.2023.32.0001","url":null,"abstract":"This article focuses on the use of musical terminology in new contexts which have no connection with the original musical context. In these new contexts, musical terms are used in a figurative meaning, serving as metaphors to describe often highly complicated aspects of reality. Based on the journalistic texts in the DeReKo corpus, the paper explores the ratio between the use of selected terms in musical contexts and non-musical contexts, investigates which aspects of reality are described via musical terminology, and analyzes the functions that these metaphors perform.","PeriodicalId":36094,"journal":{"name":"Acta Facultatis Philosophicae Universitatis Ostravienis Studia Germanistica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135388217","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.15452/studiagermanistica.2023.32.0008
Miroslav Urbanec
Franz Grillparzer’s dramas ‘König Ottokars Glück und Ende’ and ‘Ein Bruderzwist in Habsburg’ feature two ruler figures who exhibit Promethean traits. These are King Ottokar and Archduke Mathias. The study investigates the Promethean nature of these figures by relating them to the figure of Prometheus, which appears in the texts of Johann Wolfgang von Goethe.
弗朗茨·格里帕泽的电视剧《König Ottokars glck und Ende》和《Ein Bruderzwist in Habsburg》中，两位统治者都表现出普罗米修斯的特征。这两位是奥托卡国王和马蒂亚斯大公。这项研究通过将这些人物与普罗米修斯的形象联系起来，调查了这些人物的普罗米修斯本性，普罗米修斯出现在约翰·沃尔夫冈·冯·歌德的作品中。
{"title":"Prometheische Herrscherfiguren. Franz Grillparzers König Ottokar und Kaiser Mathias","authors":"Miroslav Urbanec","doi":"10.15452/studiagermanistica.2023.32.0008","DOIUrl":"https://doi.org/10.15452/studiagermanistica.2023.32.0008","url":null,"abstract":"Franz Grillparzer’s dramas ‘König Ottokars Glück und Ende’ and ‘Ein Bruderzwist in Habsburg’ feature two ruler figures who exhibit Promethean traits. These are King Ottokar and Archduke Mathias. The study investigates the Promethean nature of these figures by relating them to the figure of Prometheus, which appears in the texts of Johann Wolfgang von Goethe.","PeriodicalId":36094,"journal":{"name":"Acta Facultatis Philosophicae Universitatis Ostravienis Studia Germanistica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135387813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.15452/studiagermanistica.2023.32.0007
Michal Smrkovský
The aim of the article is to present this short story as a turning point in Weiß’s literary work, as his departure from expressionist influences that ushers in his existential period. The theoretical basis for an analysis of the plot draws from psychoanalytical theories of object relations (e.g. works by Fairbairn, Guntrip, Seinfeld and others), especially in connection with the so-called schizoid personality. It is in the relationality of the disillusioned protagonist that the interpretive key is sought, a key to the departure from the expressionist cult of the individual, replaced in Weiß’s late work by a series of heroes searching for their identity.
{"title":"Stille Fragen: ein psychoanalytischer Blick auf die Identitätssuche in Ernst Weiß’ ‚Marengo‘ (1926)","authors":"Michal Smrkovský","doi":"10.15452/studiagermanistica.2023.32.0007","DOIUrl":"https://doi.org/10.15452/studiagermanistica.2023.32.0007","url":null,"abstract":"The aim of the article is to present this short story as a turning point in Weiß’s literary work, as his departure from expressionist influences that ushers in his existential period. The theoretical basis for an analysis of the plot draws from psychoanalytical theories of object relations (e.g. works by Fairbairn, Guntrip, Seinfeld and others), especially in connection with the so-called schizoid personality. It is in the relationality of the disillusioned protagonist that the interpretive key is sought, a key to the departure from the expressionist cult of the individual, replaced in Weiß’s late work by a series of heroes searching for their identity.","PeriodicalId":36094,"journal":{"name":"Acta Facultatis Philosophicae Universitatis Ostravienis Studia Germanistica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135388221","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.15452/studiagermanistica.2023.32.0006
Petr Pytlík
The reception of literature written in German in Czechoslovakia after the Second World War was (and still is) in a hybrid position, oscillating between aversion to historical events that still resonate in Czech culture and society, and interest due to intensive cultural contacts and exchange projects between Germany and the Czech Republic. The reception of works by Paul Celan was all the more complicated because Jewish issues were by and large considered undesirable by the communist regime. The regime was officially only anti-Zionist, but de facto, as is well known, this meant anti-Semitic. In this article, attention is drawn to a neglected aspect of the surprising history of the reception of Celan’s poems in Czechoslovakia between 1945 and 1989 (with a brief excursion into the period 1990–2020) – namely, the “mediating function” of paratexts in the totalitarian regime. The first part briefly presents a definition of the term “paratext” and outlines the function of this type of text (taking into account the specific situation in which literature found itself in socialist Czechoslovakia). The following part illustrates the “mediating function” of paratexts in the Czechoslovak and the Czech editions of Celan’s poems.
{"title":"Paratexte, ohne die es keine Literatur gäbe. Zur Rezeption des Werkes von Paul Celan und der Funktion von Paratexten in der totalitären Tschechoslowakei (1948–1989)","authors":"Petr Pytlík","doi":"10.15452/studiagermanistica.2023.32.0006","DOIUrl":"https://doi.org/10.15452/studiagermanistica.2023.32.0006","url":null,"abstract":"The reception of literature written in German in Czechoslovakia after the Second World War was (and still is) in a hybrid position, oscillating between aversion to historical events that still resonate in Czech culture and society, and interest due to intensive cultural contacts and exchange projects between Germany and the Czech Republic. The reception of works by Paul Celan was all the more complicated because Jewish issues were by and large considered undesirable by the communist regime. The regime was officially only anti-Zionist, but de facto, as is well known, this meant anti-Semitic. In this article, attention is drawn to a neglected aspect of the surprising history of the reception of Celan’s poems in Czechoslovakia between 1945 and 1989 (with a brief excursion into the period 1990–2020) – namely, the “mediating function” of paratexts in the totalitarian regime. The first part briefly presents a definition of the term “paratext” and outlines the function of this type of text (taking into account the specific situation in which literature found itself in socialist Czechoslovakia). The following part illustrates the “mediating function” of paratexts in the Czechoslovak and the Czech editions of Celan’s poems.","PeriodicalId":36094,"journal":{"name":"Acta Facultatis Philosophicae Universitatis Ostravienis Studia Germanistica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135387604","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.15452/studiagermanistica.2023.32.0004
Tetiana Liashenko
The concepts of culture and cultural transfer are concepts that “travel” between disciplines, and they need a clearer definition in the context of Translation Studies. Relying on interpretations and definitions of culture and cultural transfer that are common in German studies and German-language Translation Studies, I present my own views of the understanding of both concepts. In the cognitive-communicative dimension, I outline the model of cultural transfer within the boundaries of literary translation.
{"title":"Kultur und Kulturtransfer aus translationsrelevanter Sicht. Begriffsklärung und Modellierung des Kulturtransfers im Rahmen der literarischen Übersetzung","authors":"Tetiana Liashenko","doi":"10.15452/studiagermanistica.2023.32.0004","DOIUrl":"https://doi.org/10.15452/studiagermanistica.2023.32.0004","url":null,"abstract":"The concepts of culture and cultural transfer are concepts that “travel” between disciplines, and they need a clearer definition in the context of Translation Studies. Relying on interpretations and definitions of culture and cultural transfer that are common in German studies and German-language Translation Studies, I present my own views of the understanding of both concepts. In the cognitive-communicative dimension, I outline the model of cultural transfer within the boundaries of literary translation.","PeriodicalId":36094,"journal":{"name":"Acta Facultatis Philosophicae Universitatis Ostravienis Studia Germanistica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135387812","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.15452/studiagermanistica.2023.32.0002
Karsten Rinas
This paper discusses striking, ‘bizarre’ features of textual design and language use in the Baroque period. These features include high complexity, prolixity, conspicuous formulas of politeness, indirectness, mixing of style levels, and the extensive use of a ‘squiggly’ script and other typographic devices. The perspective of social history and history of mentality is used to explain these phenomena. In particular, this paper reflects the influence of the estates in society and the role of confessional differences.
{"title":"Gesellschaftsordnung, Mentalität und Schriftsprache im Barock","authors":"Karsten Rinas","doi":"10.15452/studiagermanistica.2023.32.0002","DOIUrl":"https://doi.org/10.15452/studiagermanistica.2023.32.0002","url":null,"abstract":"This paper discusses striking, ‘bizarre’ features of textual design and language use in the Baroque period. These features include high complexity, prolixity, conspicuous formulas of politeness, indirectness, mixing of style levels, and the extensive use of a ‘squiggly’ script and other typographic devices. The perspective of social history and history of mentality is used to explain these phenomena. In particular, this paper reflects the influence of the estates in society and the role of confessional differences.","PeriodicalId":36094,"journal":{"name":"Acta Facultatis Philosophicae Universitatis Ostravienis Studia Germanistica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135388222","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-01DOI: 10.15452/studiagermanistica.2022.31.0006
M. Janík, Věra Janíková
Our study focuses on expiring relationships between language policy in the educational context and the users of foreign languages (i.e. pupils). The theoretical part of the study introduces the term language policy and indicates its development in the Czech Republic over the recent years. The empirical part aims to describe how the pupils perceive the German language. Methodologically, we use qualitative analysis of language portraits and interviews. The research sample consists of 25 students (8th grade). Our results show the instrumentalized function of the German language and focus on the usage of the German language. Based on our results, we suggest some changes in language policy that would better fit pupils’ perceptions of languages.
{"title":"Unterricht des Deutschen als zweite Fremdsprache aus der Perspektive der Sprachenpolitik und der Schüler*innen","authors":"M. Janík, Věra Janíková","doi":"10.15452/studiagermanistica.2022.31.0006","DOIUrl":"https://doi.org/10.15452/studiagermanistica.2022.31.0006","url":null,"abstract":"Our study focuses on expiring relationships between language policy in the educational context and the users of foreign languages (i.e. pupils). The theoretical part of the study introduces the term language policy and indicates its development in the Czech Republic over the recent years. The empirical part aims to describe how the pupils perceive the German language. Methodologically, we use qualitative analysis of language portraits and interviews. The research sample consists of 25 students (8th grade). Our results show the instrumentalized function of the German language and focus on the usage of the German language. Based on our results, we suggest some changes in language policy that would better fit pupils’ perceptions of languages.","PeriodicalId":36094,"journal":{"name":"Acta Facultatis Philosophicae Universitatis Ostravienis Studia Germanistica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44407478","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-01DOI: 10.15452/studiagermanistica.2022.31.0005
Iveta Zlá
The article explores the literary depiction of Prince Karl Max Lichnowsky in the autobiographical novel ‘Ein Herr aus Bolatitz’ by August Scholtis. Attention is paid to the comparison of literary form with the historical reality. An account of Prince Karl Max Lichnowsky’s diplomatic career is embedded into an overview of Scholtis’s biography and literary work. Attention is also paid to the literary representation of Lichnowsky in other works by Scholtis. However, the information on Prince Karl Max Lichnowsky’s diplomatic career is presented only briefly; the main focus is the literary portrayal of this nobleman in the autobiographical text ‘Ein Herr aus Bolatitz’. This is presented in a hermeneutic framework. The study also outlines literary means of representation and their composition.
本文探讨了奥古斯特·斯科尔斯的自传体小说《爱你的波拉蒂茨先生》中对卡尔·马克斯·利希诺夫斯基王子的文学描写。注重文学形式与历史现实的比较。对卡尔·马克斯·利奇诺夫斯基王子的外交生涯的描述被嵌入到对斯科蒂斯的传记和文学作品的概述中。在斯科尔斯的其他作品中，对利奇诺夫斯基的文学表现也给予了关注。然而，关于卡尔·马克斯·利奇诺夫斯基亲王的外交生涯的信息只是简要介绍;主要焦点是在自传体文本“Ein Herr aus Bolatitz”中对这位贵族的文学描绘。这是在解释学框架中提出的。该研究还概述了文学表现手段及其构成。
{"title":"[Es] interessierte mich schon einiges, was der Fürst niedergeschrieben hatte. Die Darstellung des Fürsten Karl Max Lichnowsky im literarischen Schaffen von August Scholtis","authors":"Iveta Zlá","doi":"10.15452/studiagermanistica.2022.31.0005","DOIUrl":"https://doi.org/10.15452/studiagermanistica.2022.31.0005","url":null,"abstract":"The article explores the literary depiction of Prince Karl Max Lichnowsky in the autobiographical novel ‘Ein Herr aus Bolatitz’ by August Scholtis. Attention is paid to the comparison of literary form with the historical reality. An account of Prince Karl Max Lichnowsky’s diplomatic career is embedded into an overview of Scholtis’s biography and literary work. Attention is also paid to the literary representation of Lichnowsky in other works by Scholtis. However, the information on Prince Karl Max Lichnowsky’s diplomatic career is presented only briefly; the main focus is the literary portrayal of this nobleman in the autobiographical text ‘Ein Herr aus Bolatitz’. This is presented in a hermeneutic framework. The study also outlines literary means of representation and their composition.","PeriodicalId":36094,"journal":{"name":"Acta Facultatis Philosophicae Universitatis Ostravienis Studia Germanistica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42120224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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