风暴中的孝顺与自主:读克林格、瓦格纳与mÜller与卢梭

IF 0.2 3区 文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN GERMAN LIFE AND LETTERS Pub Date : 2022-12-27 DOI:10.1111/glal.12370
Elystan Griffiths
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引用次数: 0

摘要

本文考察了弗里德里希·马克西米利安·克林格、海因里希·利奥波德·瓦格纳和弗里德里希·米勒(被称为“马勒·米勒”)在戏剧中对即将成年的孩子和父母之间关系的表现。它将《风暴与激浪》置于与更广泛的欧洲启蒙运动的对话中,尤其是与卢梭在《论不平等》和《爱弥尔》中提出的人类依赖理论的对话中。特别是,它表明这些作者展示了不平等和社会依赖之间的联系,而扁平的社会结构促进了多元化和自治。文章认为,与普遍认为的《狂飙与狂飙》的特征是疯狂的孝顺反叛和对卢梭的盲目崇拜相反,仔细阅读表明,它如何与欧洲思想的主要潮流保持批判性对话,并发展出一种微妙的、自我批判的自主性的可能性和局限性。事实上,它展示了这些作家是如何利用文学以一种比直接方法更激进的方式来突出他们社会秩序的二律悖论的——从而说明了将文学视为启蒙运动对话中一个严肃参与者的重要性。
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FILIAL DEPENDENCE AND AUTONOMY IN THE STURM UND DRANG: READING KLINGER, WAGNER AND MÜLLER WITH ROUSSEAU

The essay examines the representation of relationships between children on the cusp of adulthood and their parents in dramas by Friedrich Maximilian Klinger, Heinrich Leopold Wagner and Friedrich Müller (known as ‘Maler Müller’). It positions the Sturm und Drang in dialogue with the wider European Enlightenment, and especially with Rousseau's theorising of human dependence in his Discourse on Inequality and Emile. In particular, it suggests that these writers demonstrate an association between inequality and social dependence, whereas flat social structures promote pluralism and autonomy. The article argues that, in contrast to the common view of the Sturm und Drang as characterised by wild filial rebellion and blind adoration of Rousseau, a close reading demonstrates how it sustains a critical dialogue with major currents of European thought and develops a subtle and self-critical sense of the possibilities and limits on autonomy. Indeed, it demonstrates how these writers were able to use literature to foreground the antinomies of their social order in a more radical way than direct approaches could – and thus illustrates the importance of considering literature as a serious participant in Enlightenment dialogues.

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来源期刊
GERMAN LIFE AND LETTERS
GERMAN LIFE AND LETTERS LITERATURE, GERMAN, DUTCH, SCANDINAVIAN-
CiteScore
0.20
自引率
0.00%
发文量
43
期刊介绍: - German Life and Letters was founded in 1936 by the distinguished British Germanist L.A. Willoughby and the publisher Basil Blackwell. In its first number the journal described its aim as "engagement with German culture in its widest aspects: its history, literature, religion, music, art; with German life in general". German LIfe and Letters has continued over the decades to observe its founding principles of providing an international and interdisciplinary forum for scholarly analysis of German culture past and present. The journal appears four times a year, and a typical number contains around eight articles of between six and eight thousand words each.
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