{"title":"Gergely Péterfy的《填充的野蛮人》[Kitömött Barbár],叙事伦理与人类政治:英国语境","authors":"Andrea Timár","doi":"10.5195/ahea.2020.393","DOIUrl":null,"url":null,"abstract":"This paper presents Gergely Peterfy’s Stuffed Barbarian [ Kitomott Barbar , 2014] in the context of eighteenth-century, pre-Revolutionary debates on slavery and the related question of the “human.” It investigates the ethical and political stakes of Peterfy’s narrative technique and argues that the improbably omniscient, third person character narration used throughout the novel performs the universalist and exclusive ideology Bildung of the European Enlightenment, which Peterfy mourns.","PeriodicalId":40442,"journal":{"name":"Hungarian Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2020-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Gergely Péterfy’s Stuffed Barbarian [‘Kitömött Barbár’], the Ethics of Narration and the Politics of the Human: A British Context\",\"authors\":\"Andrea Timár\",\"doi\":\"10.5195/ahea.2020.393\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper presents Gergely Peterfy’s Stuffed Barbarian [ Kitomott Barbar , 2014] in the context of eighteenth-century, pre-Revolutionary debates on slavery and the related question of the “human.” It investigates the ethical and political stakes of Peterfy’s narrative technique and argues that the improbably omniscient, third person character narration used throughout the novel performs the universalist and exclusive ideology Bildung of the European Enlightenment, which Peterfy mourns.\",\"PeriodicalId\":40442,\"journal\":{\"name\":\"Hungarian Cultural Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-07-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Hungarian Cultural Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5195/ahea.2020.393\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"SOCIAL SCIENCES, INTERDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Hungarian Cultural Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5195/ahea.2020.393","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"SOCIAL SCIENCES, INTERDISCIPLINARY","Score":null,"Total":0}
Gergely Péterfy’s Stuffed Barbarian [‘Kitömött Barbár’], the Ethics of Narration and the Politics of the Human: A British Context
This paper presents Gergely Peterfy’s Stuffed Barbarian [ Kitomott Barbar , 2014] in the context of eighteenth-century, pre-Revolutionary debates on slavery and the related question of the “human.” It investigates the ethical and political stakes of Peterfy’s narrative technique and argues that the improbably omniscient, third person character narration used throughout the novel performs the universalist and exclusive ideology Bildung of the European Enlightenment, which Peterfy mourns.