喀布尔的巴布尔花园:莫卧儿王朝的一个王朝工程及其生存

IF 0.3 3区 艺术学 N/A ARCHITECTURE International Journal of Islamic Architecture Pub Date : 2023-01-01 DOI:10.1386/ijia_00094_1
E. Koch
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引用次数: 0

摘要

喀布尔的Bagh-i Babur通常被认为是由Babur于1504年建立的,当时他以喀布尔为家。然而,仔细研究莫卧儿的来源,会发现一幅更为复杂的画面。我认为,与其他由一位赞助人建造的莫卧儿陪葬花园不同,Bagh-I Babur是几代莫卧儿皇帝的王朝项目。它是由巴布尔开创的;由他的儿子米尔扎·卡姆兰和胡马云以及他的孙子米尔扎·哈基姆保存,作为早期莫卧儿人的荣誉墓地;正如我所建议的那样,被封闭并改造成了阿克巴皇帝建造的宏伟的梯田;贾汉吉尔皇帝用王朝铭文强调;沙贾汗皇帝对建筑进行了彻底的翻新和丰富。莫卧儿时代之后,花园成为喀布尔人民的娱乐场所,19世纪末,阿富汗国王对花园进行了修复,并将其用作居住场所,他们以莫卧儿的模式塑造了自己的统治和王权概念。在经历了一段时间的动乱和破坏之后,花园于21世纪初进行了重建,成为喀布尔人民的公共公园。
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The Garden of Babur in Kabul: A Dynastic Project of the Mughal Dynasty and Its Survival
The Bagh-i Babur in Kabul is generally held to have been founded by Babur in 1504, when he made Kabul his home. A close examination of the Mughal sources, however, reveals a more complex picture. I suggest that, contrary to other Mughal funerary gardens, which were built by a single patron, the Bagh-i Babur was a dynastic project of several succeeding generations of Mughal emperors. It was incepted by Babur; preserved by his sons Mirza Kamran and Humayun, and his grandson Mirza Hakim, as an honoured burial site of the early Mughals; enclosed and transformed, as I suggest, into a grand terraced construction by Emperor Akbar; highlighted by Emperor Jahangir with dynastic inscriptions; and thoroughly renovated and enriched with buildings by Emperor Shah Jahan. After the Mughal era, the garden became a place of recreation for the people of Kabul, and at the end of the nineteenth century it was rehabilitated and appropriated as a residential pleasance by the Afghan kings, who shaped their reigns and concepts of kingship on Mughal models. After periods of unrest and destruction, the garden was reconstructed in the early twenty-first century and became a public park for the people of Kabul.
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
33
期刊介绍: The International Journal of Islamic Architecture (IJIA) publishes bi-annually, peer-reviewed articles on the urban design and planning, architecture and landscape architecture of the historic Islamic world, encompassing the Middle East and parts of Africa and Asia, but also the more recent geographies of Islam in its global dimensions. The main emphasis is on the detailed analysis of the practical, historical and theoretical aspects of architecture, with a focus on both design and its reception. The journal also aims to encourage dialogue and discussion between practitioners and scholars. Articles that bridge the academic-practitioner divide are highly encouraged. While the main focus is on architecture, papers that explore architecture from other disciplinary perspectives, such as art, history, archaeology, anthropology, culture, spirituality, religion and economics are also welcome. The journal is specifically interested in contemporary architecture and urban design in relation to social and cultural history, geography, politics, aesthetics, technology and conservation. Spanning across cultures and disciplines, IJIA seeks to analyse and explain issues related to the built environment throughout the regions covered. The audience of this journal includes both practitioners and scholars. The journal publishes both online and in print. The first issue was published in January 2012.
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