“这个女孩改变了世界的故事”:KindaTV的《卡米拉》中权威的奇怪复杂性

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY Humanities (Basel, Switzerland) Pub Date : 2023-05-25 DOI:10.3390/h12030042
Drumlin N. M. Crape
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引用次数: 0

摘要

本文调查了叙事内容和形式改编的交叉点,如KindaTV YouTube系列剧《卡米拉》(2014-2016),该剧是对约瑟夫·谢里丹·勒法努1872年同名吸血鬼中篇小说的当代修订。通过将勒法努的文本置于围绕所谓越轨性取向的新兴医学化话语中,并仔细阅读卡米拉内部对医学、法律和叙事权威的调用,我揭示了一种维护霸权的权威方法。因此,在参与KindaTV的YouTube改编时,酷儿情感和联系的恢复重塑了叙事中的权威,而互动平台和活跃的粉丝社区则抵制单一文本权威的想法。通过从权威的角度考虑原文和改编,很明显,作为解决哥特式恐同历史的一部分,KindaTV的Carmilla呈现了一个充满可能性的世界,直接反对法律、医疗和学术系统等权威在历史上对酷儿的病态化。
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“This Girl Changed the Story of the World”: Queer Complications of Authority in KindaTV’s Carmilla
This article investigates the intersection of adaptations of narrative content and form as exemplified in the KindaTV YouTube series Carmilla (2014–2016), a contemporary revisioning of Joseph Sheridan Le Fanu’s 1872 vampire novella of the same name. By contextualizing Le Fanu’s text within the emerging medicalized discourse around so-called deviant sexualities and close reading the invocations of medical, legal, and narrative authority within Carmilla, I reveal an approach to authority which upholds hegemony. Consequently, in engaging with KindaTV’s YouTube adaptation, the rehabilitating of queer feelings and connections reframes authority within the narrative, while the interactive platform and active fan communities resist the idea of a single textual authority. By considering the source text and adaptation through the lens of authority, it becomes clear that, as part of addressing the homophobic history of the Gothic, KindaTV’s Carmilla presents a world full of possibilities that directly opposes the way authorities like legal, medical, and academic systems have historically pathologized queer people.
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