莎士比亚的理论与实践

IF 0.2 0 LITERATURE Interlitteraria Pub Date : 2019-08-13 DOI:10.5860/choice.46-3690
J. Hart
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引用次数: 0

摘要

这篇文章是关于莎士比亚的理论和实践的,但是他虽然使用了“实践”这个词,但他从来没有使用过“理论”这个词。在讨论了一些实践之后,我将研究莎士比亚是如何将诗歌和诗人、哲学和哲学家与艺术、戏剧、音乐、绘画和模仿联系起来的。莎士比亚在散文或非虚构散文中没有表现出批评或理论的倾向,但是,正如我们可以看到的,例如,在哈姆雷特对演员的指示中,他的作品,诗歌和戏剧,即使不是艺术理论,至少也包含了演讲者,叙述者和人物对这些问题的一些表现和思考。
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Shakespeare in Theory and Practice
The article is about theory and practice in Shakespeare, but while he used the word “practice,” he never employed the term “theory.” After discussing practice a little, I shall examine how Shakespeare refers to poetry and poets, philosophy and philosophers with some brief connections with art, theatre, music, painting and mimesis. Shakespeare showed no inclination for criticism or theory in essays or non-fiction prose, but, as can be seen, for instance, in Hamlet’s instructions to the players, his work, poetry and plays, contain if not a theory of art, theatre and poetry at least some representations of and reflections on such matters by speakers, narrators and characters.
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来源期刊
Interlitteraria
Interlitteraria LITERATURE-
自引率
0.00%
发文量
10
审稿时长
20 weeks
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