疯狂的非洲女权主义留声机在玛丽-切姆利·阿格南的《爱玛之书》中作为残疾的世界制造者

IF 0.1 4区 文学 0 LITERATURE, ROMANCE ESPRIT CREATEUR Pub Date : 2022-01-24 DOI:10.1353/esp.2021.0050
Cae Joseph-Masséna
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引用次数: 0

摘要

小说作为一个整体:一方面是充满不透明的疯狂形象,另一方面是声音形象的中心,作为一种非二元的,奇怪的,令人担忧的现象。这些线
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Mad Afro-feminist Phonographies as Dis/abled Worldmakings in Marie-Célie Agnant's The Book of Emma
novel as a whole: a figuration of madness that is steeped in opacity on the one hand, and the centrality of the figuration of voice as a non-binary, strange, and fraught phenomenon on the other. These lines
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来源期刊
ESPRIT CREATEUR
ESPRIT CREATEUR LITERATURE, ROMANCE-
CiteScore
0.20
自引率
0.00%
发文量
39
期刊介绍: For more than forty years, L"Esprit Créateur has published studies on French and Francophone literature, film, criticism, and culture. The journal features articles representing a variety of methodologies and critical approaches. Exploring all periods of French literature and thought, L"Esprit Créateur focuses on topics that define French and Francophone Studies today.
期刊最新文献
Introduction: Characters in/as Connection Relational Character Constellations: Maryse Condé's Traversée de la mangrove and Maylis de Kerangal's Réparer les vivants Déjà lu ?: On Rachid Boudjedra's Recurring Jewish-Muslim Figure Deciphering 1848: Repetition and Degradation in Madame Bovary Relier l'arrière-plan : Le réseau des figurants dans le roman de type réaliste du XIXe siècle
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