{"title":"泽维尔·多兰最近三部电影中的位移或对场所的解构","authors":"Steve Urquhart","doi":"10.3828/QS.2018.9","DOIUrl":null,"url":null,"abstract":"This article examines three films by Quebecois film director Xavier Dolan (Tom at the Farm, Mommy, It’s Only the End of the World) in terms of “displacement,” understood in the sense of movement fr...","PeriodicalId":36865,"journal":{"name":"Quebec Studies","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/QS.2018.9","citationCount":"0","resultStr":"{\"title\":\"Displacement or the Deconstruction of Place in Three Recent Xavier Dolan Films\",\"authors\":\"Steve Urquhart\",\"doi\":\"10.3828/QS.2018.9\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article examines three films by Quebecois film director Xavier Dolan (Tom at the Farm, Mommy, It’s Only the End of the World) in terms of “displacement,” understood in the sense of movement fr...\",\"PeriodicalId\":36865,\"journal\":{\"name\":\"Quebec Studies\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.3828/QS.2018.9\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Quebec Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3828/QS.2018.9\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Quebec Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/QS.2018.9","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
Displacement or the Deconstruction of Place in Three Recent Xavier Dolan Films
This article examines three films by Quebecois film director Xavier Dolan (Tom at the Farm, Mommy, It’s Only the End of the World) in terms of “displacement,” understood in the sense of movement fr...
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