巴纳特巴洛克艺术中的幻觉与寓言:导论

IF 0.2 0 ART Eikon Imago Pub Date : 2022-03-01 DOI:10.5209/eiko.76757
Mihaela Vlăsceanu
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引用次数: 0

摘要

本研究旨在通过重新解释中欧晚期巴洛克时期的一些主要创作来强调巴纳特的特殊性,在那里,哈布斯堡政权的幻觉和天主教信仰的寓言被用于统一的艺术话语。使用的主要方法范围从比较历史到图像,并以案例研究的形式对作品进行结构-语义和形式分析。这些例子的流行修辞有助于更好地认识艺术在每个社会中所扮演的角色,记住18世纪的艺术现象与中欧的发展是协同作用的,风格是对晚期巴洛克风格的致敬,这是许多变体之一,具有所谓的“巴洛克”的特殊性。
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Illusion and Allegory in the Baroque Art of the Banat: An Introduction
The present study aims to underline the particularities found in the Banat by means of reinterpreting some of the main creations of Central-European late Baroque, where the illusion of the Habsburg power and allegories of Catholic faith were employed in the unifying artistic discourse. The main methods used range from comparative-historical to iconographic, with a structural-semantic and formal analysis of the works presented as case studies. The epideictic rhetoric of these examples contributes to a better acknowledgement of the role played by art in every society, having in mind that the eighteenth-century artistic phenomenon was synergic with the Central-European evolution and the style was tributary to the late Baroque, one of the many variants with particularities of the so-called “Baroques”.
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CiteScore
0.40
自引率
0.00%
发文量
44
审稿时长
6 weeks
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