{"title":"玛丽娜市长的亲密宇宙:bretema","authors":"Anna Corts Curto","doi":"10.17345/triangle11.15-32","DOIUrl":null,"url":null,"abstract":"Painting scenarios where to place characters with their stories is one of the most complex tasks in characterizing the space of a literary work. Most authors change space each time they start a new novel. In the case of Marina Mayoral, we found a room of her own, a closed universe that has its well-defined contours. In Mayoral, the central space of each work is directly related to a term: Brétema. In this paper, we will try to draw contours in an amazing world that takes its name in La única libertad (Mayoral 1982) and that links all her works.","PeriodicalId":76763,"journal":{"name":"Triangle; the Sandoz journal of medical science","volume":"7 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2020-05-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"El universo íntimo de Marina Mayoral: Brétema\",\"authors\":\"Anna Corts Curto\",\"doi\":\"10.17345/triangle11.15-32\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Painting scenarios where to place characters with their stories is one of the most complex tasks in characterizing the space of a literary work. Most authors change space each time they start a new novel. In the case of Marina Mayoral, we found a room of her own, a closed universe that has its well-defined contours. In Mayoral, the central space of each work is directly related to a term: Brétema. In this paper, we will try to draw contours in an amazing world that takes its name in La única libertad (Mayoral 1982) and that links all her works.\",\"PeriodicalId\":76763,\"journal\":{\"name\":\"Triangle; the Sandoz journal of medical science\",\"volume\":\"7 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-05-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Triangle; the Sandoz journal of medical science\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.17345/triangle11.15-32\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Triangle; the Sandoz journal of medical science","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17345/triangle11.15-32","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
在描绘文学作品空间的过程中，最复杂的任务之一是描绘人物和故事的场景。大多数作家每次开始写新小说时都会改变空间。在玛丽娜·马约拉尔的案例中，我们找到了她自己的房间，一个有着明确轮廓的封闭宇宙。在马约拉尔，每件作品的中心空间都与一个术语直接相关:br忧郁。在本文中，我们将尝试在一个以La única libertad (Mayoral 1982)命名的神奇世界中绘制轮廓，并将她的所有作品联系起来。
Painting scenarios where to place characters with their stories is one of the most complex tasks in characterizing the space of a literary work. Most authors change space each time they start a new novel. In the case of Marina Mayoral, we found a room of her own, a closed universe that has its well-defined contours. In Mayoral, the central space of each work is directly related to a term: Brétema. In this paper, we will try to draw contours in an amazing world that takes its name in La única libertad (Mayoral 1982) and that links all her works.
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