佤族木鼓文化内涵的变迁

IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY International Journal of Humanities and Arts Computing-A Journal of Digital Humanities Pub Date : 2021-07-23 DOI:10.18533/JAH.V10I6.2152
Kexin Hang
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引用次数: 0

摘要

在佤族木鼓中,人体是佤族文化的特殊载体。多年来,随着佤族文化的演变,最初在舞蹈中所承载的价值已经发生了根本性的变化。几千年来,佤族传统的祭祀仪式舞蹈融合了佤族的宗教观念和对神的崇拜。佤族猎人会成群结队地出去,设法把俘虏带回村庄,并将人头作为木鼓的祭品。他们相信,只有这样,鼓声才被赋予了神性,他们用这种仪式尊敬的山神才能保佑丰收,确保村庄来年的和平与安宁。当木鼓响起时,人们聚集在鼓周围跳舞,祈求神灵保佑。这种舞蹈的复兴是由政府和文化精英推动的,就像80年前的判决一样。虽然它的目的是将木鼓作为一种地方象征和国家存在的明确形式向外界介绍,并促进当地的旅游,但木鼓的文化属性和社会功能与原始的宗教木鼓仪式不同。
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Changes in the Cultural Connotation of the Wa Wooden Drum Dance
In Wa wooden drum dance, the human body is a special carrier of Wa’s culture. Over the years, the value originally carried in the dance has changed fundamentally, as Wa’s culture evolved. For thousands of years, the ethnic traditional worship ritual dance integrated the Wa notions of religion and worship of gods. Wa huntsmen would go out in groups and manage to bring a captive back to the village, and offer a human head as sacrifice for the wooden drum. They believed that only in this way, the drumbeats were vested with divinity and the mountain gods they honored with the ritual can bless a bumper harvest and ensure the peace and tranquility of the village for the coming year. When the wooden drum is played, people gather around the drum and dance, praying to the gods for protection.   The revival of the dance was driven by the government and the cultural elite, just like the sentence to it was about 80 years ago. Though it served the purpose of introducing the wooden drum dance to the outside world as a local symbol and an explicit form of state presence, as well as to promote the local tourism, cultural attributes and social functions of wooden drum are different from those of the original religious wooden drum rituals.
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