{"title":"大学的燃烧","authors":"John Mowitt","doi":"10.17159/2309-9585/2017/V43A6","DOIUrl":null,"url":null,"abstract":"No matter how artful the photographer, no matter how carefully posed his subject, the beholder [of the photograph] feels an irresistible urge to search such a picture for the tiny spark of contingency, of the here and now, with which reality has (so to speak) seared the subject, to find the inconspicuous spot where in the immediacy of that long-forgotten moment the future nests so eloquently that we, looking back, may rediscover it.2","PeriodicalId":53088,"journal":{"name":"Kronos","volume":"15 1","pages":"99-113"},"PeriodicalIF":0.0000,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"The Searing of the University\",\"authors\":\"John Mowitt\",\"doi\":\"10.17159/2309-9585/2017/V43A6\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"No matter how artful the photographer, no matter how carefully posed his subject, the beholder [of the photograph] feels an irresistible urge to search such a picture for the tiny spark of contingency, of the here and now, with which reality has (so to speak) seared the subject, to find the inconspicuous spot where in the immediacy of that long-forgotten moment the future nests so eloquently that we, looking back, may rediscover it.2\",\"PeriodicalId\":53088,\"journal\":{\"name\":\"Kronos\",\"volume\":\"15 1\",\"pages\":\"99-113\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Kronos\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.17159/2309-9585/2017/V43A6\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Kronos","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17159/2309-9585/2017/V43A6","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
No matter how artful the photographer, no matter how carefully posed his subject, the beholder [of the photograph] feels an irresistible urge to search such a picture for the tiny spark of contingency, of the here and now, with which reality has (so to speak) seared the subject, to find the inconspicuous spot where in the immediacy of that long-forgotten moment the future nests so eloquently that we, looking back, may rediscover it.2