蛾犬传统上是德兰穆斯林城市三宝垄的象征

Cahyono Cahyono
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引用次数: 4

摘要

本研究旨在探讨Dugderan传统中的Warak Ngendog如何代表三宝垄市城市穆斯林社区的身份。这项研究还旨在揭示这座城市穆斯林文化的力量,这种文化一直保持到今天。本研究采用了Peter J. Burke和Homi K. Bhabha关于混血文化的身份理论方法,以及其他一些非凡的理论作为支持理论。本研究采用定性描述的方法,以档案和相关人物访谈的实质性信息为支持。本研究的结果强调,三宝垄市城市穆斯林社区的宗教信仰的动态塑造了城市穆斯林身份。爪哇、阿拉伯和中国穆斯林传统文化的文化适应象征着新的宗教和文化仪式作为三宝垄市城市穆斯林身份不可分割的一部分,因为他们参与宗教仪式、传统和文化中存在社会互动。
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WARAK NGENDOG DALAM TRADISI DUGDERAN SEBAGAI REPRESENTASI IDENTITAS MUSLIM URBAN DI KOTA SEMARANG
This research aims to explore how Warak Ngendog in the Dugderan tradition represents the identity of urban Muslim communities in the city of Semarang. This research also aims to expose the strength of the city's Muslim culture that has been maintained to this day. This study uses an identity theory approach by Peter J. Burke and Homi K. Bhabha about Hybrid culture, and several other extraordinary theories as supporting theories. This research uses a qualitative descriptive approach with the support of substantive information from archives and interviews with related figures. The results of this study emphasize that the dynamics of the religiosity of urban Muslim communities in Semarang City shape urban Muslim identity. Acculturation of the traditional culture of Javanese, Arab, and Chinese Muslims symbolizes the new religious and cultural rites as an inseparable part of the urban Muslim identity of Semarang City because there are social interactions in their involvement in religious rituals, traditions and culture.
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