《垃圾鸟的安魂曲:暴力、纯洁与野性

Q3 Social Sciences Cultural Studies Review Pub Date : 2019-09-25 DOI:10.5130/csr.v25i1.6387
Hugo Reinert
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引用次数: 2

摘要

这篇文章描述了几年前在挪威北极地区进行的一项人工繁殖补充一种高度濒危野生鸟类的实验。随着一只鸟的命运,在两年的时间里,争论展示了实验中涉及的一些强有力的概念、政治和情感上的利害关系。这只名为A16的鸟的短暂生命,几乎完全包含在一种未解决的紧张关系中,即拯救的紧迫性和纯粹的生物政治,深深致力于保护正在消失(或已消失)的形式。在实验的幕后,鸟类学派系在基因纯度、迁徙路线的完整性和行为污染的可能性等问题上发生了冲突。考虑到这一点的利害关系,争论开始对保护工作中的救赎性暴力进行描述,这是一个质疑推动净化性生物政治的情感投资的框架,尤其是在全球动荡时期。什么可以被拯救,什么必须被毁灭?一个物种究竟是什么,能够(或不能)通过某些方式被拯救?A16是什么?
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Requiem for a Junk-Bird: Violence, Purity and the Wild
The article describes an experiment in captive-bred supplementation of a highly endangered wild bird species that took place in the Norwegian Arctic a few years ago. Following the fate of a single bird, over the course of two years, the argument lays out some of the powerful conceptual, political and affective stakes involved in the experiment. The brief life of the bird, named A16, was contained almost entirely within an unresolved tension between salvific urgency and a purist biopolitics, deeply committed to the preservation of vanishing (or vanished) forms. Behind the scenes of the experiment, ornithological factions clashed over issues like genetic purity, the integrity of migration routes and the potential for behavioral contamination. Laying out the stakes of this, the argument begins to develop an account of salvific violence in conservation work—a framework for questioning the affective investments that drive purificatory biopolitics, especially during a time of planetary turmoil. What stands to be saved, what must be destroyed? What is a species, exactly, such that it can (or cannot) be saved in certain ways? What was A16?
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来源期刊
CiteScore
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期刊介绍: Cultural Studies Review is a peer-reviewed journal devoted to the publication and circulation of quality thinking in cultural studies—in particular work that draws out new kinds of politics, as they emerge in diverse sites. We are interested in writing that shapes new relationships between social groups, cultural practices and forms of knowledge and which provides some account of the questions motivating its production. We welcome work from any discipline that meets these aims. Aware that new thinking in cultural studies may produce a new poetics we have a dedicated new writing section to encourage the publication of works of critical innovation, political intervention and creative textuality.
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