Slipper Palace. Creative Entrepreneurship for the Common Good

Antonio Gorgel Pinto, Paula Reaes Pinto
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Abstract

The Slipper Palace is an example of the multitude of entrepreneurship within a participatory design project. A group of stakeholders experimented with a workshop model to co-create design patterns for fabrics to use as raw material in the production of fashion accessories. The initiative is related to the urban and cultural context of the National Palace of Queluz, in the municipality of Sintra, the Metropolitan Area of Lisbon, and a community of local artisans who intend to benefit from the cultural and commercial potential of the place. Through their condition of creative workers, the local artisans, with the support of a participatory design methodology, assumed themselves as eminently social beings and active participants for the transformation of society aiming for the common good.
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拖鞋宫殿。为共同利益创造企业家精神
拖鞋宫是参与式设计项目中众多企业家精神的一个例子。一群利益相关者尝试了一个工作坊模式,共同创造布料的设计图案,作为生产时尚配饰的原材料。该项目与位于里斯本大都会区辛特拉市的奎鲁兹国家宫殿的城市和文化背景以及当地工匠社区有关,他们希望从该地区的文化和商业潜力中受益。通过创造性工作者的条件,当地工匠在参与式设计方法的支持下,将自己视为杰出的社会人,并积极参与旨在实现共同利益的社会变革。
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Slipper Palace. Creative Entrepreneurship for the Common Good [de]Territorialization, the Role of our Brain in a Technological World. Biomateriality Bridging Design and the Community Overcrowded Ecologies: Designing Value through More-than-Human Factors Cohort Study Good Practices: Design Communication and Capacitation Processes
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