Dialectic of the Sustainability: Design and Art new Frontiers

R. Moutinho, E. Aparo, P. Dinis
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Abstract

Sustainability is, currently, one of society's main paradigms and depends, above all, on the way in which we plane and trace new paths so that, in a systemic, integrated and transdisciplinary way, choices are objective and made based on a greater collective good. It is at this point that sustainability meets design and art, as all formal, informal, and non-formal artefacts are, at some level, constituents and agents of change. The complementarities between design and art are increasingly identified in fine details and that is why we often see art migrating to stores and design artefacts to museums. This relationship between art and design aims to develop a new language for industrial culture. By applying a theoretical perspective capable of articulating the fundamental dimensions of the man’s relationship with the environment and highlighting the aesthetics of sustainability, it will consequently highlight the beauty of the complementarity of antagonisms in art and design interventions, thus playing an important role in the process of “socialization” of society. Being sustainability the subject of the moment and with roots for the future, this exploratory article seeks to investigate the dialectics between design and art and foresee future practices that will be the answers of tomorrow.
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可持续性的辩证法:设计与艺术的新前沿
目前,可持续发展是社会的主要范例之一,它首先取决于我们规划和探索新道路的方式,以便以系统、综合和跨学科的方式做出客观的选择,并以更大的集体利益为基础。正是在这一点上,可持续性与设计和艺术相遇,因为所有正式的、非正式的和非正式的人工制品在某种程度上都是变化的组成部分和代理人。设计和艺术之间的互补性越来越多地体现在细节上,这就是为什么我们经常看到艺术转移到商店,设计工艺品转移到博物馆。艺术与设计之间的这种关系旨在为工业文化开发一种新的语言。通过运用一种理论视角,能够阐明人与环境关系的基本维度,并突出可持续性的美学,它将因此突出艺术和设计干预中对抗的互补性之美,从而在社会的“社会化”过程中发挥重要作用。这篇探索性的文章旨在探讨设计与艺术之间的辩证法,并预见未来的实践,这将是明天的答案。
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