Jim Crow Revivalism Meets the Klan

Kevin Mungons, Douglas Yeo
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Abstract

Racial segregation and Jim Crow affected nearly every aspect of American life in the 1920s, including revivalism. When southern audiences demanded segregated tabernacle meetings, Billy Sunday and Homer Rodeheaver tried to ameliorate the situation by meeting with black ministers and organizing choirs from black churches. But despite Sunday and Rodeheaver’s fame for preaching against every form of sin, they were noticeably silent on racism. Their policy of welcoming every group to the tabernacle sometimes included delegations from the Ku Klux Klan, who gave Sunday donations that he never refused. Despite Rodeheaver’s genuinely harmonious relationships with African Americans and his lifelong promotion of the spirituals, his far-flung business interests created awkward contradictions. His Chicago studio made custom recordings for the Klan, including a parody of Rodeheaver’s “The Old Rugged Cross” with KKK lyrics, “The Bright Fiery Cross.”
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吉姆·克劳复兴运动与三k党相遇
种族隔离和吉姆·克劳法几乎影响了20世纪20年代美国生活的方方面面,包括宗教复兴运动。当南方听众要求举行隔离的神堂聚会时,比利·Sunday和荷马·罗德海弗(Homer Rodeheaver)试图通过会见黑人牧师和组织黑人教堂的唱诗班来改善这种情况。但是,尽管周日和罗德海弗以鼓吹反对各种形式的罪恶而闻名,但他们对种族主义却明显保持沉默。他们的政策是欢迎每一个团体来神龛,有时会包括来自三k党的代表团,他们在周日捐款,他从不拒绝。尽管罗德海弗与非裔美国人有着真正和谐的关系,他一生都在推广圣歌,但他广泛的商业利益造成了尴尬的矛盾。他的芝加哥工作室为三k党制作了定制唱片,其中包括模仿Rodeheaver的“the Old Rugged Cross”和三k党的歌词,“the Bright Fiery Cross”。
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Commercial Gospel Music Jim Crow Revivalism Meets the Klan Falling Out of Step at the Close of an Era Preserving and Exporting the Gospel Songs Spirituals and Minstrelsy
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