Falling Out of Step at the Close of an Era

Kevin Mungons, Douglas Yeo
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Abstract

In the final decade of his life, Homer Rodeheaver enjoyed financial success and national fame, though his health and trombone playing declined precipitously. His business model for promoting gospel songs proved increasingly less effective, bypassed by a younger generation who moved gospel music from its communal roots to a popular performance idiom. Rodeheaver’s aging song catalog from the early 1900s could not keep up with the next generation of gospel music. Still, he befriended the young Billy Graham and Graham’s trombone-playing songleader, Cliff Barrows, and strongly influenced their methods for large-scale evangelistic meetings. Upon his death, the Rodeheaver Company was sold to Word Music and then a succession of music industry conglomerates which continued to profit from his gospel song copyrights.
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一个时代结束时的不合拍
在他生命的最后十年里,荷马·罗德海弗享受着经济上的成功和全国的名声,尽管他的健康状况和长号演奏急剧下降。事实证明,他推广福音歌曲的商业模式越来越不奏效,年轻一代绕过了这一模式,将福音音乐从社区根源转变为流行的表演习惯。Rodeheaver从20世纪初开始的老化歌曲目录跟不上下一代福音音乐的发展。尽管如此,他还是和年轻的葛培理(Billy Graham)和葛培理的吹奏长号的歌曲领唱克里夫·巴罗斯(Cliff Barrows)成为了朋友,并对他们举办大规模布道会的方式产生了强烈的影响。在他死后,Rodeheaver公司被卖给了Word Music,然后是一系列音乐产业集团,这些集团继续从他的福音歌曲版权中获利。
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