A Native Clearing Revisited: Positioning Philippine Literature

C. Kanaganayakam
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Abstract

English-language postcolonial literary studies has focused largely on parts of the world formerly colonized by England. This panel, however, will deal with the Philippines, a nation whose history of colonial encounter includes both Spain and the US, in order to advance the argument that its literature has much to contribute to the "arduous conversations" that characterize postcolonial studies. While the historical trajectory that shapes the identity of the Philippines has much in common with the narrative of other postcolonial nations, the resistance/recuperation model does not fit easily in the Philippines. Even among literary histories and critical studies there is hardly a consensus about a theoretical matrix that would explain the complexities of literary production in the Philippines in the twentieth century. This panel contends that literature from the Philippines grapples with a number of issues in ways that extend the boundaries of postcolonial theory and opens up exciting possibilities for reconfiguring nation, religion, genre, aesthetics, and the very notion of literature.
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重新审视的本土清理:菲律宾文学的定位
英语后殖民文学研究主要集中在世界上以前被英国殖民的部分地区。这个小组,然而,将处理菲律宾,一个国家的历史上的殖民遭遇包括西班牙和美国,为了推进的论点,其文学有很多贡献的“艰巨的对话”特征后殖民研究。虽然塑造菲律宾身份的历史轨迹与其他后殖民国家的叙事有很多共同之处,但抵抗/恢复模式并不适合菲律宾。即使在文学史和批评研究中,也很难就一个理论矩阵达成共识,这个理论矩阵可以解释20世纪菲律宾文学生产的复杂性。该小组认为,来自菲律宾的文学以扩展后殖民理论边界的方式与许多问题作斗争,并为重新配置民族,宗教,体裁,美学和文学的概念开辟了令人兴奋的可能性。
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