{"title":"Emirati Poetic Movements","authors":"Zainab Alyasi","doi":"10.26650/jos.2020.009","DOIUrl":null,"url":null,"abstract":"Emirati poetry is considered the fruit of an Arabic environment that was drawn to formal Arabic poetry and colloquial poetry (or “folk poetry” as defined by critics). That was what was common within the Emirati people. The poets had an innate ability to express the thoughts of a person who lived and integrated with the land and peoples’ homes as found in the original Arabic poetry. The beginning of Emirates poetry was around the 1920s. During that time, several pioneer poets shined, including Mubarak Al Aqili, Salem Al Owais, Ahmed Al Mannai, Mubarak Al Nakhi, Muhammad Nour Saif, Ahmed Bin Salem, Khalfan Bin Musbah, and others, whose names survive, although their poetry did not. After the original poets, another group that came to be known as veterans. They followed the early pioneers, met them, and lived as they did. However, their influence and popularity sustained for longer. They witnessed the many political and sociological phases that the country went through. These veterans include Saqr bin Sultan Al Qasimi, Sultan Bin Ali Al Owais, and Hamad Bu shehab. They paved the way for a classical subordinate traditional phase, with its distinctive artistic features and characteristics. It included traditional column poetry with its unique artistic features that mixed traditional and modern culture through Discussing a nation’s literature and art is equivalent to discussing the extent of the intellectual, cultural, and social human presence of these nations. Poetry is considered nothing but finds its most important model in Bedouin souls who live in the Arabian Peninsula. It is their widest and toughest outlet. Abu Firas Al-Hamdani says Poetry is the record of Arabs ever, and the title of lineage With it, he belongs, and through it, he is known and revealed. Through the the and are and are feats, and achievements with of and","PeriodicalId":336158,"journal":{"name":"Şarkiyat Mecmuası - Journal of Oriental Studies","volume":"36 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-01-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Şarkiyat Mecmuası - Journal of Oriental Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26650/jos.2020.009","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Emirati poetry is considered the fruit of an Arabic environment that was drawn to formal Arabic poetry and colloquial poetry (or “folk poetry” as defined by critics). That was what was common within the Emirati people. The poets had an innate ability to express the thoughts of a person who lived and integrated with the land and peoples’ homes as found in the original Arabic poetry. The beginning of Emirates poetry was around the 1920s. During that time, several pioneer poets shined, including Mubarak Al Aqili, Salem Al Owais, Ahmed Al Mannai, Mubarak Al Nakhi, Muhammad Nour Saif, Ahmed Bin Salem, Khalfan Bin Musbah, and others, whose names survive, although their poetry did not. After the original poets, another group that came to be known as veterans. They followed the early pioneers, met them, and lived as they did. However, their influence and popularity sustained for longer. They witnessed the many political and sociological phases that the country went through. These veterans include Saqr bin Sultan Al Qasimi, Sultan Bin Ali Al Owais, and Hamad Bu shehab. They paved the way for a classical subordinate traditional phase, with its distinctive artistic features and characteristics. It included traditional column poetry with its unique artistic features that mixed traditional and modern culture through Discussing a nation’s literature and art is equivalent to discussing the extent of the intellectual, cultural, and social human presence of these nations. Poetry is considered nothing but finds its most important model in Bedouin souls who live in the Arabian Peninsula. It is their widest and toughest outlet. Abu Firas Al-Hamdani says Poetry is the record of Arabs ever, and the title of lineage With it, he belongs, and through it, he is known and revealed. Through the the and are and are feats, and achievements with of and
阿联酋诗歌被认为是阿拉伯环境的产物,被正式的阿拉伯诗歌和口语诗(或评论家定义的“民间诗歌”)所吸引。这在阿联酋人民中是很普遍的。诗人有一种天生的能力来表达一个人的思想,这个人生活在土地和人民的家园中,就像原始的阿拉伯诗歌一样。阿联酋诗歌大约始于20世纪20年代。在那段时间里,一些先锋诗人崭露头角,包括穆巴拉克·阿齐利、塞勒姆·阿尔·奥维斯、艾哈迈德·阿尔·曼奈、穆巴拉克·阿尔·纳希姆、穆罕默德·努尔·赛义夫、艾哈迈德·本·塞勒姆、Khalfan Bin Musbah等人,他们的名字流传了下来,但他们的诗歌却没有了。在最初的诗人之后,另一群人被称为退伍军人。他们跟随早期的拓荒者,遇见他们,并按照他们的方式生活。然而,他们的影响力和受欢迎程度持续了更长时间。他们见证了这个国家所经历的许多政治和社会阶段。这些老兵包括Saqr bin Sultan Al - Qasimi, Sultan bin Ali Al - Owais和Hamad Bu shehab。它们为古典从属于传统阶段铺平了道路,具有鲜明的艺术特征和特点。通过讨论一个民族的文学和艺术,就相当于讨论这个民族的智力、文化和社会人类存在的程度。诗歌在阿拉伯半岛的贝都因人的灵魂中找到了最重要的模式。这是它们最宽最硬的出口。阿布·菲拉斯·哈姆达尼说诗歌是阿拉伯人历史的记录,是世系的头衔,他属于诗歌,通过诗歌,他被认识和揭示。通过和是和是功勋,而成就与和