Colour as a Distinctive Element of the Territories

Vera Barradas, Ana Loures, L. Loures, José Silveira Dias, Victoria Carrillo Durán
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Abstract

This paper is part of research under development, which aims to define a set of criteria and/or parameters in the fields of design and communication, to enhance the sustainability of Low-Density Territories, through the recognition of their identity and their distinctive signs.Thus, this article aims to know if the colour is constituted as a distinctive sign and contributes to the identity of the territory.According to studies developed by several authors over the past few years, the distinctive signs, whether tangible or intangible, are identifying and differentiating elements that ensure ethical and fair competition, which encourages sustainability. They can contribute decisively to the construction of a region's iconography, the reaffirmation of its territorial imprint and are a stimulus to territorial development. In the context of signs and place identity comes the concept of genius loci, or spirit of place, created by Norberg-Schulz, which refers to the distinctiveness that characterises each place.As long as there is light, colour is in every landscape we see. Whether they are, or not, worked, by Man, each landscape holds a palette that is composed of the colours that compose it: sky, vegetation, soil, rocks, buildings, signs, among others.For Simon Bell (1993), despite the chromatic variability that landscapes present, they are associated to a limited scale of colours, a fact that facilitates the definition of a local identity.Talking about local identity, as far as colour is concerned, leads to the concept of Colore Loci, which derives from the previously mentioned Genius Loci, created by Raimondo, to demonstrate the unique characteristics of a given place.In order to achieve the established objective, three types of landscape were identified: Natural Landscape, characterized by being able to have, or not, human intervention, but where the action of nature prevails and where the presence of construction is very reduced or even null; Landscape built by Man using local natural resources, refers, for example, to urban agglomerations where local materials are used to build, i.e. where local stone is used for the design of streets and pavements, for the cladding of buildings, or for the construction of exposed stone walls; and Painted Landscape, which is one that, regardless of whether or not it uses materials from the region, stands out for its deliberate use of artificial colours, which make these landscapes unmistakable.Through the analysis carried out it was possible to conclude that colour is even a distinctive sign of the territory, since each place has different types of heritage, natural and built, and these give the landscape distinctive shades, through permanent and non-permanent colours. However, and turning the focus to the valuation and attractiveness of the territories, which is the central theme of the doctoral research, it can be stated that the colour, and its use, can also create the identity of a place, and thus enhance it and make it attractive, since according to the analysis carried out, the spaces created by colour (the painted landscapes) are the most visited.
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色彩作为领土的独特元素
本文是正在进行的研究的一部分,旨在定义设计和传播领域的一套标准和/或参数,通过对低密度地区的身份和独特标志的认识,提高其可持续性。因此,本文旨在了解颜色是否构成了一个独特的标志,有助于领土的身份。根据几位作者在过去几年中开展的研究,独特的标志,无论是有形的还是无形的,都是识别和区分确保道德和公平竞争的要素,从而鼓励可持续性。它们可以对一个地区的形象建设做出决定性的贡献,重申其领土印记,并刺激领土发展。在标志和场所身份的背景下,出现了由Norberg-Schulz创造的天才地点或场所精神的概念,它指的是每个地方的独特性。只要有光,色彩就存在于我们所看到的每一处风景中。无论它们是否由人类创造,每个景观都有一个调色板,由构成它的颜色组成:天空、植被、土壤、岩石、建筑、标志等等。对于Simon Bell(1993)来说,尽管风景呈现出色彩变化,但它们与有限的颜色规模有关,这一事实有助于定义当地身份。谈到地方身份,就颜色而言,引出了Colore Loci的概念,该概念源于之前提到的由Raimondo创建的Genius Loci,以展示给定地点的独特特征。为了实现既定的目标,确定了三种类型的景观:自然景观,其特点是能够有或没有人为干预,但自然的作用占主导地位,建筑的存在非常少甚至为零;人类利用当地自然资源建造的景观,例如指使用当地材料建造的城市群,即使用当地石材设计街道和人行道,用于建筑物的包层,或用于建造裸露的石墙;以及“彩绘景观”,不管它是否使用了当地的材料,它都因其刻意使用的人工色素而脱颖而出,这使得这些景观毫无疑问。通过分析,可以得出结论,颜色甚至是领土的独特标志,因为每个地方都有不同类型的遗产,自然和建筑,这些通过永久和非永久的颜色赋予景观独特的色调。然而,将焦点转向领土的价值和吸引力,这是博士研究的中心主题,可以说颜色及其使用也可以创造一个地方的身份,从而增强它并使其具有吸引力,因为根据所进行的分析,由颜色创造的空间(绘制的风景)是最受欢迎的。
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