Gospel Songs and Urban Revivalism

Abstract

Billy Sunday and Homer Rodeheaver propelled tabernacle revivalism into national prominence, a movement that peaked just before World War I. In addition to leading the communal singing at tabernacle services, Rodeheaver organized revival choirs, produced gospel hymnals, and shaped the course of church music. Though his approach was influenced by vaudeville and emerging popular music, Rodeheaver denied that his gospel songs were influenced by ragtime and jazz. Though sometimes criticized by evangelical gatekeepers, songs like “Brighten the Corner Where You Are” contributed to Rodeheaver’s personal popularity and business success. After discussing Rodeheaver’s celebrity status and his controversial relationships with women, the authors show how he adroitly adjusted his business model as the tabernacle revival era ended.