Meet My Gaze: Crafting the Agentic Gaze for Zoom Theatre

Amanda Rose Villarreal
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Abstract

This article considers both improvised and scripted performances produced during the pandemic and the ways in which framing live performance creates gaze. In conversation with Laura Mulvey’s concept of the male gaze and Stephanie Jennings’s concept of the feminine gaze, this article analyzes the ways in which awareness of both of these gazes can inform the development of a new gaze—an agentic gaze—for Zoom Theatre. The agentic gaze requires an adapted directorial practice in order to create a dialectic among collaborators characterized by agentic symmetry; this article describes the ways in which a curatorial directing process accomplishes this.
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认识我的目光为变焦剧场制作代理凝视
本文探讨了大流行病期间的即兴表演和剧本表演,以及现场表演的框架如何产生凝视。本文结合劳拉-马尔维(Laura Mulvey)的男性凝视概念和斯蒂芬妮-詹宁斯(Stephanie Jennings)的女性凝视概念,分析了对这两种凝视的认识如何为 Zoom 剧场开发一种新的凝视--代理凝视。代理凝视需要一种经过调整的导演实践,以便在合作者之间建立一种以代理对称为特征的辩证关系;本文描述了策展导演过程实现这一目标的方式。
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